{"id":54529,"date":"2017-05-01T12:12:57","date_gmt":"2017-05-01T16:12:57","guid":{"rendered":"http:\/\/id-andrea.cms-devl.bu.edu\/cfa\/?p=54529"},"modified":"2022-11-03T16:41:18","modified_gmt":"2022-11-03T20:41:18","slug":"boston-globe-praises-bu-mfa-thesis-exhibition","status":"publish","type":"bu-article","link":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/news\/articles\/2017\/boston-globe-praises-bu-mfa-thesis-exhibition\/","title":{"rendered":"Boston Globe feature: Graduate Painting Student Kayla Suverkrubbe (CFA&#8217;17) Named Among &#8220;Six Artists to Watch&#8221;"},"content":{"rendered":"\n<div class=\"wp-prepress-component-metabar news-prepress-layout-metabar\">\n\t<div class=\"wp-prepress-component-metabar-wrapper\">\n\t\t\t\t\t<div class=\"wp-prepress-component-metabar-date\">May 1, 2017<\/div>\n\t\t\n\t\t\t\t<div class=\"wp-prepress-component-metabar-credits\">\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wp-prepress-component-metabar-share js-bu-prepress-share-tools\">\n\t\t\t<span class=\"icon-twitter\"><span>Twitter<\/span><\/span>\n\t\t\t<span class=\"icon-facebook\"><span>Facebook<\/span><\/span>\n\t\t\t<span class=\"icon-action\"><\/span>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<h3 class=\"main-hed\" itemprop=\"headline\">Expect to see more in the future from these up-and-coming artists<\/h3>\n<p id=\"U832309224670D5F\"><b id=\"U832309224670HmE\" class=\"b\">KAYLA SUVERKRUBBE<\/b>, 25<\/p>\n<p id=\"U8323092246705PB\"><i class=\"i\">Painting<\/i><\/p>\n<p id=\"U832309224670fnE\">Boston University<\/p>\n<p><a href=\"\/cfa\/files\/2022\/08\/Suverkrubbe_02.jpg\"><img loading=\"lazy\" src=\"\/cfa\/files\/2022\/08\/Suverkrubbe_02-650x398.jpg\" alt=\"Suverkrubbe_02\" width=\"650\" height=\"398\" class=\"alignnone size-medium wp-image-54530\"><\/a><\/p>\n<p>Suverkrubbe\u2019s squirmy, giant, shaped canvas bubbles off the wall, which makes sense, given the gyrations of the people depicted on it. It\u2019s a comic marvel of sex and gore, with hearts bursting from chests, knobby, tangled limbs, and jutting penises. Each of seven scenes boils down to an unsettling relationship between the characters.<\/p>\n<p>\u201cIt\u2019s about my fault in my relationships with other people. Not necessarily romantic or sexual,\u201d says Suverkrubbe. \u201cIt\u2019s about interpersonal conflict.<\/p>\n<p>The painter\u2019s neurotic, graphic style recalls R. Crumb. She spices her Pepto-pink palette with fiery reds and yellows. One figure wears a huge grin and cuddles up to another with coins covering eyes. In another, a pigtailed figure feasts on the heart of a character munching on an apple.<\/p>\n<p>\u201cIn some [scenes], there\u2019s a willingness on the part of the other person,\u201d says the artist. \u201cI\u2019d like to get to the point where it feels like they\u2019re both aggressors.\u201d<\/p>","protected":false},"excerpt":{"rendered":"<p>Expect to see more in the future from these up-and-coming artists KAYLA SUVERKRUBBE, 25 Painting Boston University Suverkrubbe\u2019s squirmy, giant, shaped canvas bubbles off the wall, which makes sense, given the gyrations of the people depicted on it. It\u2019s a comic marvel of sex and gore, with hearts bursting from chests, knobby, tangled limbs, and [&hellip;]<\/p>\n","protected":false},"author":4922,"featured_media":87612,"comment_status":"closed","ping_status":"open","template":"","meta":{"bu_prepress_billboard":"","_bu_prepress_primary_term":"","_bu_prepress_primary_term_manual":""},"tags":[],"bu-publication":[192],"magazine-article-category":[],"magazine-topic":[],"news-article-category":[216],"news-topic":[],"bu_edition":[],"media_type":[],"_links":{"self":[{"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article\/54529"}],"collection":[{"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article"}],"about":[{"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/types\/bu-article"}],"author":[{"embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/users\/4922"}],"replies":[{"embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/comments?post=54529"}],"version-history":[{"count":6,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article\/54529\/revisions"}],"predecessor-version":[{"id":95223,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article\/54529\/revisions\/95223"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/media\/87612"}],"wp:attachment":[{"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/media?parent=54529"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/tags?post=54529"},{"taxonomy":"bu-publication","embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-publication?post=54529"},{"taxonomy":"magazine-article-category","embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/magazine-article-category?post=54529"},{"taxonomy":"magazine-topic","embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/magazine-topic?post=54529"},{"taxonomy":"news-article-category","embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/news-article-category?post=54529"},{"taxonomy":"news-topic","embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/news-topic?post=54529"},{"taxonomy":"bu_edition","embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/bu_edition?post=54529"},{"taxonomy":"media_type","embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/media_type?post=54529"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}