{"id":90619,"date":"2022-06-14T20:24:00","date_gmt":"2022-06-15T00:24:00","guid":{"rendered":"http:\/\/id-andrea.cms-devl.bu.edu\/cfa\/?post_type=bu-article&#038;p=90619"},"modified":"2022-12-09T12:56:32","modified_gmt":"2022-12-09T17:56:32","slug":"solar-art","status":"publish","type":"bu-article","link":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/magazine\/articles\/2022\/solar-art\/","title":{"rendered":"Solar Art"},"content":{"rendered":"\t<div class=\"wp-block-editorial-leadin magazine-block-editorial-leadin is-style-side-by-side has-media has-box has-media-focus-center-middle has-tertiary-theme\">\n\t\t<div class=\"container-lockup\">\n\n\t\t\t<div class=\"wp-block-leadin-media\">\n\t\t\t\t\n\t\t\t\t<img width=\"1707\" height=\"2560\" src=\"\/cfa\/files\/2022\/08\/22-1040-CFABLACKLOW-002-scaled.jpg\" class=\"\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/08\/22-1040-CFABLACKLOW-002-scaled.jpg 1707w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/08\/22-1040-CFABLACKLOW-002-424x636.jpg 424w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/08\/22-1040-CFABLACKLOW-002-683x1024.jpg 683w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/08\/22-1040-CFABLACKLOW-002-768x1152.jpg 768w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/08\/22-1040-CFABLACKLOW-002-1024x1536.jpg 1024w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/08\/22-1040-CFABLACKLOW-002-1365x2048.jpg 1365w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/08\/22-1040-CFABLACKLOW-002-667x1000.jpg 667w\" sizes=\"(max-width: 1707px) 100vw, 1707px\" \/>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\n\n\t\t\t\n\t\t\t\t<div class=\"container-words-outer\">\n\n\t\t\t\t\t\n\t\t\t\t\t<div class=\"container-words-inner\">\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"wp-prepress-tag\">CFA Alumni<\/span>\n\t\t\t\t\t\t\t\t<h1 class=\"head\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tSolar Art\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/h1>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t<h4 class=\"deck\">Laura Blacklow blends traditional photo techniques with modern messages to create the books in her\u00a0<em>Quarantine Project<\/em><\/h4>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\n\t\t\t\t<\/div>\n\n\t\t\t\n\t\t<\/div>\n\n\t\t\n\t<\/div>\n\n\t\n<div class=\"wp-prepress-component-metabar magazine-prepress-layout-metabar\">\n\t<div class=\"wp-prepress-component-metabar-wrapper\">\n\t\t\t\t\t<div class=\"wp-prepress-component-metabar-date\">June 14, 2022<\/div>\n\t\t\n\t\t\t\t<div class=\"wp-prepress-component-metabar-credits\">\n\t\t\t\t\t\t\t\t<ul data-credit-type=\"By\">\n\t\t\t\t\t\t<li><a href=\"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/magazine\/authors\/marc-chalufour\/\">Marc Chalufour<\/a><\/li>\n\t\t\t\t\t<\/ul>\n\t\t\t\t\t\t\t\t\t\t<ul data-credit-type=\"Photos by\">\n\t\t\t\t\t\t<li><a href=\"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/magazine\/authors\/conor-doherty\/\">Conor Doherty<\/a><\/li>\n\t\t\t\t\t<\/ul>\n\t\t\t\t\t\t\t<\/div>\n\t\t<div class=\"wp-prepress-component-metabar-share js-bu-prepress-share-tools\">\n\t\t\t<span class=\"icon-twitter\"><span>Twitter<\/span><\/span>\n\t\t\t<span class=\"icon-facebook\"><span>Facebook<\/span><\/span>\n\t\t\t<span class=\"icon-action\"><\/span>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\t\n\n\n<p><strong>Laura Blacklow learned photography<\/strong>&nbsp;long before the advent of digital cameras, but the Cambridge, Mass.\u2013based artist never developed a fondness for working in a darkroom. Instead, she gravitated to processes like cyanotype and Van Dyke brown printing that she could do outdoors. \u201cI just come alive when the sun comes out,\u201d she says.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-large\"><img loading=\"lazy\" width=\"424\" height=\"636\" src=\"\/cfa\/files\/2022\/08\/22-1040-CFABLACKLOW-007-424x636-1.jpg\" alt=\"\" class=\"wp-image-90625\"\/><figcaption>Blacklow prepares a solution she\u2019ll use to coat her paper for a cyanotype.<\/figcaption><\/figure><\/div>\n\n\n\n<p>Those classic sun-printing methods are also conducive to experimentation. Blacklow (\u201967) has printed onto paper and textiles, and she\u2019s created images with both photo negatives and three-dimensional objects. Developing the prints is often just the first step. She might color them with pastels or watercolor paints, sew them, or&nbsp;fold them into unique artist\u2019s books.<\/p>\n\n\n\n<p>Both artist and activist,&nbsp;<a href=\"https:\/\/laurablacklow.com\/\">Blacklow often blends words and images to convey a message in her work<\/a>. She\u2019s made prints with native rainforest plants to highlight the plunder of the Maya Biosphere Reserve in Guatemala and with plastic toy soldiers to expose violence against the Maya. For the past two years, Blacklow has drawn inspiration closer to home\u2014pulling words from her readings, objects from her home, and flowers from her garden, she has created a series of accordion-fold books that she calls her&nbsp;<a href=\"https:\/\/laurablacklow.com\/medium\/artists-books\/\"><em>Quarantine Project<\/em><\/a>.<\/p>\n\n\n\n<h3>\u201cThe Best of Multiple Art Forms\u201d<\/h3>\n\n\n\n<p>As a kid growing up in Washington, D.C., Blacklow followed the work of Jacqueline Bouvier, a photographer and columnist for the&nbsp;<em>Washington Post<\/em>&nbsp;before Bouvier married John F. Kennedy (Hon.\u201955). CFA didn\u2019t have a darkroom when she attended, so Blacklow studied painting and drawing, then trekked down Comm Ave to take a photojournalism course at the College of Communication. A Robert Rauschenberg exhibit at Boston\u2019s Institute of Contemporary Art during her senior year made a lasting impression.&nbsp;<\/p>\n\n\n\n<p>\u201cThis man was combining photography with painting. I know it wasn\u2019t journalism&nbsp;in the strict sense, but he was making statements about being alive,\u201d she says. \u201cHe just knocked me out.\u201d Blacklow began melding mediums and hasn\u2019t stopped. More than five decades later, she still considers Rauschenberg her biggest influence\u2014although the form that she has devoted most of her career to isn\u2019t framed prints meant to be hung on a wall. \u201cI\u2019m not a person who needs to make heroic, large artwork,\u201d she says. \u201cI like little, intimate messages.\u201d<\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide has-background has-tertiary-background-color is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" width=\"683\" height=\"1024\" src=\"\/cfa\/files\/2022\/08\/22-1040-CFABLACKLOW-009-683x1024.jpg\" alt=\"\" class=\"wp-image-90626\" srcset=\"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/08\/22-1040-CFABLACKLOW-009-683x1024.jpg 683w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/08\/22-1040-CFABLACKLOW-009-424x636.jpg 424w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/08\/22-1040-CFABLACKLOW-009-768x1152.jpg 768w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/08\/22-1040-CFABLACKLOW-009-1024x1536.jpg 1024w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/08\/22-1040-CFABLACKLOW-009-1365x2048.jpg 1365w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/08\/22-1040-CFABLACKLOW-009-667x1000.jpg 667w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/08\/22-1040-CFABLACKLOW-009-scaled.jpg 1707w\" sizes=\"(max-width: 683px) 100vw, 683px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><\/p>\n\n\n\n<h3>To make a sun print, she lays the coated paper and objects she plans to print on a tray, covers them with a sheet of glass, and carries it all outside.<\/h3>\n<\/div><\/div>\n\n\n\n<p>To Blacklow, a book represents the best of multiple art forms. Each page can be observed alone, like a photograph or painting, while the book itself occupies three dimensions, like a sculpture. And the physical act of studying and turning the pages takes time, like viewing a film. \u201cThere\u2019s such an intimacy there. You can hold it in your lap. You can leaf through it frontward and backwards,\u201d she says.&nbsp;<\/p>\n\n\n\n<h3>The&nbsp;<em>Quarantine Project<\/em><\/h3>\n\n\n\n<p>The pandemic cut Blacklow off from her usual sources of inspiration: traveling and doing deep archival research. Quarantined at home, she tended to her flower garden where she grows hibiscus, lilies, astilbe, hosta, ferns, iris, daffodils, tulips, crocus, bleeding hearts, wisteria, and cohosh. She cleaned out her grown son\u2019s old closet and discovered a box of his high school English books and began reading, for the first time, James Baldwin, Nadine Gordimer, and James McBride.<\/p>\n\n\n\n<p>The words of others help Blacklow process world events. \u201cI\u2019ve been an avid journal keeper since I was a child,\u201d she says. \u201cI write down quotes, I write down dreams.\u201d With the pandemic worsening and amid the national reckoning over the killings of George Floyd, Breonna Taylor, and Ahmaud Arbery, she decided to share some of the quotes she found most helpful. \u201cIt\u2019s so hard to have hope sometimes. And I\u2019m an optimist,\u201d she says.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-large\"><img loading=\"lazy\" width=\"424\" height=\"636\" src=\"\/cfa\/files\/2022\/08\/22-1040-CFABLACKLOW-010-424x636-1.jpg\" alt=\"\" class=\"wp-image-90628\"\/><figcaption>Sometimes, she\u2019ll use an indoor artificial exposure unit to make her prints if there is not enough sun outside.<\/figcaption><\/figure><\/div>\n\n\n\n<p>Blacklow began pairing quotes with plants from her garden or other objects found around her house, like old locks and keys, and making sun prints in her yard.&nbsp;<em>Quarantine Project<\/em>&nbsp;captures a vision of the pandemic that\u2019s uniquely her own.&nbsp;Blacklow has produced more than a dozen one-of-a-kind books, drawing from sources as disparate as Native American proverbs, the late congressman and civil rights leader John Lewis (Hon.\u201918), 13th-century Persian poet Rumi, and contemporary Russian poet and mystery writer Elena Mikhalkova.<\/p>\n\n\n\n<p>Each book is formed by a single sheet of folded paper that opens to reveal a print Blacklow created by laying objects and sheets of acetate, with words written on them, over light-sensitive paper.&nbsp;<\/p>\n\n\n\n<p>Blacklow is quick to point out that she often employs more modern methods in her art. \u201cI want to be really clear about this\u2014I\u2019m not a Luddite,\u201d she says. When the first color Xerox machines were introduced, Blacklow printed onto the thickest paper its rollers could handle without jamming. She\u2019s printed onto satin, which she had to stiffen with spray-on starch, experimented with Polaroid cameras, and embraced digital photography. \u201cSpending a day in the darkroom with a red light is not my favorite thing,\u201d says Blacklow, author of&nbsp;<a href=\"https:\/\/www.routledge.com\/New-Dimensions-in-Photo-Processes-A-Step-by-Step-Manual-for-Alternative\/Blacklow\/p\/book\/9781138632837\"><em>New Dimensions in Photo Processes: A Step-by-Step Manual for Alternative Techniques<\/em>&nbsp;<\/a>(Focal Press, 2018), now in its fifth printing. \u201cWhat took me a day, I can do in 15 minutes with Photoshop and an inkjet printer.\u201d<\/p>\n\n\n\n<p>Photographers typically use paper that\u2019s precoated with emulsion, but Blacklow likes to have more control over the surfaces she prints on. Her work begins in the renovated carriage house behind her home, where she has a studio and darkroom. If she\u2019s making a cyanotype, she adds water to a mixture of potassium ferricyanide and ferric ammonium citrate to create an emulsion and, with the lights dimmed, brushes it onto sheets of paper\u2014often a high-quality cotton rag stock. Then she hangs the sheets to dry or, if she\u2019s in a hurry, uses a hair dryer. For Van Dyke brown, the emulsion is slightly different: water, ferric ammonium citrate, silver nitrate crystal, and tartaric acid.<\/p>\n\n\n\n<div class=\"wp-block-editorial-parallax magazine-block-editorial-parallax alignfull has-content-box has-box-color-tertiary has-object-cover-center-middle is-style-content-left-overlay\"><div class=\"wp-block-editorial-parallax-media\"><div class=\"wp-block-editorial-parallax-background-image\"><\/div><figure class=\"wp-block-editorial-parallax-figure js-block-editorial-parallax-active\" data-rellax-speed=\"-5\" data-rellax-percentage=\"0.5\"><picture class=\"wp-block-editorial-parallax-picture\"><source media=\"(max-height: 480px)\" srcset=\"\/cfa\/files\/2022\/08\/solar-art-collage-854x480.jpg\"\/><source media=\"(max-height: 720px)\" srcset=\"\/cfa\/files\/2022\/08\/solar-art-collage-1280x720.jpg\"\/><source media=\"(max-height: 768px)\" srcset=\"\/cfa\/files\/2022\/08\/solar-art-collage-1366x768.jpg\"\/><img loading=\"lazy\" width=\"1600\" height=\"900\" class=\"wp-block-editorial-parallax-image wp-image-90638\" src=\"\/cfa\/files\/2022\/08\/solar-art-collage.jpg\" alt=\"\" srcset=\"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/08\/solar-art-collage.jpg 1600w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/08\/solar-art-collage-636x358.jpg 636w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/08\/solar-art-collage-1024x576.jpg 1024w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/08\/solar-art-collage-768x432.jpg 768w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/08\/solar-art-collage-1536x864.jpg 1536w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/08\/solar-art-collage-1200x675.jpg 1200w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/08\/solar-art-collage-992x558.jpg 992w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/08\/solar-art-collage-1500x844.jpg 1500w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/08\/solar-art-collage-1366x768.jpg 1366w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/08\/solar-art-collage-1280x720.jpg 1280w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/08\/solar-art-collage-854x480.jpg 854w\" sizes=\"(max-width: 1600px) 100vw, 1600px\" \/><\/picture><\/figure><\/div><div class=\"wp-block-editorial-parallax-content-outer\"><div class=\"wp-block-editorial-parallax-content-inner\">\n<p>Inside her studio, she removes the objects and then rinses the paper in water to halt the cyanotype\u2019s development process. \u201cCyanotype is my favorite because it\u2019s the least fussy,\u201d she says.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<h3>\u201cI Love the Accidents\u201d<\/h3>\n\n\n\n<p>Blacklow\u2019s process of making a sun print is as crude as the results are delicate. She lays a sheet of coated paper and the objects she plans to print on a tray, covers them with a sheet of glass, and carries it all outside. For large prints, she arranges everything outside, shielded from the light by a tent she made by stretching black mulching plastic over a wood frame. Then she whisks away the plastic tent and watches her images develop.&nbsp;<\/p>\n\n\n\n<p>On her cyanotypes, the sharp contours of leaves, delicate petals, and skinny stems appear in shades of white against a deep blue background. Imagine a blueprint of a wildflower garden\u2014cyanotype is the same process once used by architects to develop their plans. Van Dyke brown prints offer a more organic look, mixing golden yellows and browns.&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-bu-pullquote magazine-block-bu-pullquote is-style-pop has-tertiary-theme has-tertiary-theme-text\"><div class=\"wp-block-bu-pullquote-inner\"><blockquote><div class=\"container-lockup\"><div class=\"container-icon-outer\"><div class=\"container-icon-inner\"><\/div><\/div><div class=\"container-text\"><hr\/><div class=\"quote-sizing\">I just come alive when the sun comes out.<\/div><footer class=\"caption\">Laura Blacklow<\/footer><hr\/><\/div><\/div><\/blockquote><\/div><\/div>\n\n\n\n<p>Blacklow doesn\u2019t set a timer for her outdoor exposures, but watches them until she\u2019s satisfied. The duration can vary greatly depending on the time of day, temperature, and cloud cover. A cyanotype may sit for an hour, a deliberate overexposure that creates a deep blue that Blacklow especially loves. She rinses the paper to halt the process: just water for a cyanotype, or a chemical fixer commonly used in photography for a Van Dyke brown. \u201cCyanotype is my favorite because it\u2019s the least fussy,\u201d she says.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" width=\"636\" height=\"357\" src=\"\/cfa\/files\/2022\/08\/Feature-Blacklow-print-scaled-e1654197597246-636x357-1.jpg\" alt=\"\" class=\"wp-image-90640\"\/><figcaption>When Blacklow makes a cyanotype, she may let it sit for an hour, an overexposure that creates a deep blue, as in&nbsp;<em>Sonny\u2019s Blues<\/em>. The 12-panel accordion book features words from James Baldwin\u2019s short story of the same name. Image courtesy of Blacklow<\/figcaption><\/figure><\/div>\n\n\n\n<p>In&nbsp;<em>Sonny\u2019s Blues<\/em>, a 12-panel accordion book, the paper is a deep blue-green, mottled with white that looks like clouds on an ominous day. Leaves seem to float in this fantastical sky. James Baldwin\u2019s words, from a short story of the same name, flow across this scene: \u201cThe tale of how we suffer, and how we are DELIGHTED and how we may TRIUMPH is never new, it always must be HEARD\u2026it\u2019s the only light we\u2019ve got in all this darkness.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"636\" height=\"297\" src=\"\/cfa\/files\/2022\/08\/We-do-not-inherit-636x297-1.jpg\" alt=\"\" class=\"wp-image-90641\"\/><figcaption><em>Inherit the Earth<\/em>, a Van Dyke brown print, uses a Native American proverb. Image courtesy of Blacklow<\/figcaption><\/figure>\n\n\n\n<p><em>Inherit the Earth<\/em>, a Van Dyke brown print, uses a Native American proverb: \u201cWe do not inherit the earth from our ancestors. We borrow it from our children.\u201d A cluster of flowers\u2014stems, petals, and all\u2014reach across the page, parallel to the words. Each is rendered in shades of yellow and brown. They look burned onto the page, which, in a way, they are.<\/p>\n\n\n\n<p>Part of Blacklow\u2019s continued fascination with sun printing is that she never knows exactly what she\u2019ll end up with. \u201cI love the accidents,\u201d she says. She doesn\u2019t consider photography to be an exact representation of reality. \u201cJust the fact that the three-dimensional world is translated onto a flat surface changes what you see.\u201d<\/p>\n\n\n\n<aside class=\"wp-block-editorial-aside magazine-block-editorial-aside has-secondary-background\">\n<h4>New Master\u2019s in Fine Arts: Print Media and Photography<\/h4>\n\n\n\n<p><strong>A form of art&nbsp;<\/strong>Laura Blacklow has spent her life on is now an MFA program. Beginning in fall 2022, CFA will launch an MFA in print media and photography. \u201cThis is a degree that bridges these two mediums,\u201d says Lynne Allen, a professor of printmaking and director of the new program. \u201cPrintmaking and photography have much in common, including various techniques and the ability to make multiples. Bookmaking can also be a large part of a student\u2019s oeuvre, and we encourage experimentation. I\u2019m excited because this allows for a wider discussion about contemporary art\u2014and print and photo\u2019s place within it.\u201d<\/p>\n\n\n\n<p><a href=\"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/academics\/find-a-degreeprogram\/school-of-visual-arts\/print-media-photography\/\">Learn about CFA\u2019s new program merging printmaking and photography practices.<\/a><\/p>\n<\/aside>\n","protected":false},"excerpt":{"rendered":"<p>Laura Blacklow learned photography&nbsp;long before the advent of digital cameras, but the Cambridge, Mass.\u2013based artist never developed a fondness for working in a darkroom. Instead, she gravitated to processes like cyanotype and Van Dyke brown printing that she could do outdoors. \u201cI just come alive when the sun comes out,\u201d she says. Those classic sun-printing [&hellip;]<\/p>\n","protected":false},"author":1679,"featured_media":91223,"comment_status":"closed","ping_status":"closed","template":"","meta":{"bu_prepress_billboard":"","_bu_prepress_primary_term":"","_bu_prepress_primary_term_manual":""},"tags":[],"bu-publication":[191],"magazine-article-category":[372,379],"magazine-topic":[],"news-article-category":[],"news-topic":[],"bu_edition":[362],"media_type":[],"_links":{"self":[{"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article\/90619"}],"collection":[{"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article"}],"about":[{"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/types\/bu-article"}],"author":[{"embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/users\/1679"}],"replies":[{"embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/comments?post=90619"}],"version-history":[{"count":8,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article\/90619\/revisions"}],"predecessor-version":[{"id":96310,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article\/90619\/revisions\/96310"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/media\/91223"}],"wp:attachment":[{"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/media?parent=90619"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/tags?post=90619"},{"taxonomy":"bu-publication","embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-publication?post=90619"},{"taxonomy":"magazine-article-category","embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/magazine-article-category?post=90619"},{"taxonomy":"magazine-topic","embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/magazine-topic?post=90619"},{"taxonomy":"news-article-category","embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/news-article-category?post=90619"},{"taxonomy":"news-topic","embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/news-topic?post=90619"},{"taxonomy":"bu_edition","embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/bu_edition?post=90619"},{"taxonomy":"media_type","embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/media_type?post=90619"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}