{"id":9398,"date":"2021-11-02T22:51:00","date_gmt":"2021-11-03T02:51:00","guid":{"rendered":"http:\/\/id-andrea.cms-devl.bu.edu\/cfa\/?post_type=bu-article&#038;p=9398"},"modified":"2022-08-12T13:45:19","modified_gmt":"2022-08-12T17:45:19","slug":"faculty-feature-mark-stanley","status":"publish","type":"bu-article","link":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/news\/articles\/2021\/faculty-feature-mark-stanley\/","title":{"rendered":"Faculty Feature: Mark Stanley"},"content":{"rendered":"\n<div class=\"wp-prepress-component-metabar news-prepress-layout-metabar\">\n\t<div class=\"wp-prepress-component-metabar-wrapper\">\n\t\t\t\t\t<div class=\"wp-prepress-component-metabar-date\">November 2, 2021<\/div>\n\t\t\n\t\t\t\t<div class=\"wp-prepress-component-metabar-credits\">\n\t\t\t\t\t\t\t\t<ul data-credit-type=\"Interview by\">\n\t\t\t\t\t\t<li><a href=\"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/news\/authors\/mark-krone\/\">Mark Krone<\/a><\/li>\n\t\t\t\t\t<\/ul>\n\t\t\t\t\t\t\t<\/div>\n\t\t<div class=\"wp-prepress-component-metabar-share js-bu-prepress-share-tools\">\n\t\t\t<span class=\"icon-twitter\"><span>Twitter<\/span><\/span>\n\t\t\t<span class=\"icon-facebook\"><span>Facebook<\/span><\/span>\n\t\t\t<span class=\"icon-action\"><\/span>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-medium\"><img loading=\"lazy\" width=\"424\" height=\"636\" src=\"\/cfa\/files\/2022\/08\/090918_stanley_0237-424x636.jpeg\" alt=\"\" class=\"wp-image-5514\"\/><\/figure><\/div>\n\n\n\n<p>Having designed more than 200 premieres for New York City Ballet&#8217;s repertory, <a href=\"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/about\/contact-directions\/directory\/mark-stanley\/\">Mark Stanley<\/a>, Professor of Lighting Design at BU and NYC Ballet&#8217;s Resident Lighting Designer, is a leader in lighting design and shares his wealth of knowledge with current theatre students.<\/p>\n\n\n\n<p>In the CFA Faculty Feature, Stanley talks about his field and what makes him excited to teach <a href=\"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/academics\/degrees-programs\/lighting-design\/\">lighting design at BU<\/a>, with the main reason being helping individual students find their artistic voices. He dives into the importance of lighting design and how lighting is the glue of any production, connecting the set with the costumes and guiding audience members on where to place focus. <\/p>\n\n\n\n<p>He also shares with CFA what he looks for in applicants to the lighting design program and why a student should select this program in Boston over one offered in an institution located in New York City.  <\/p>\n\n\n\n<section class=\"wp-block-editorial-q-and-a news-block-editorial-q-and-a\"><div class=\"wp-block-editorial-q-and-a-title\"><h2 class=\"wp-block-editorial-q-and-a-title-heading\">Q<span>&amp;<\/span>A<\/h2><h4 class=\"wp-block-editorial-q-and-a-title-subheading\">INTERVIEW WITH MARK STANLEY<\/h4><\/div>\n<h3 class=\"wp-block-editorial-q-and-a-question\"><span class=\"wp-block-editorial-q-and-a-name\">CFA:<\/span> <span class=\"wp-block-editorial-q-and-a-content\">What does lighting design do?<\/span><\/h3>\n\n\n\n<p class=\"wp-block-editorial-q-and-a-answer\"><span class=\"wp-block-editorial-q-and-a-name\">Stanley:<\/span> <span class=\"wp-block-editorial-q-and-a-content\">A lighting design is created using some basic functions and qualities of light in support of telling stories. The functions of light on stage would be, first, the obvious one of creating visibility but that doesn\u2019t mean making everything bright. It\u2019s selective visibility. What do we want the audience to look at? What do we want them to experience on stage in support of the storytelling? Lighting creates the mood. It\u2019s an art form that deals in both time and space. It can be totally flexible in how it changes during a production. So, creating mood is a very important part of lighting design.<br><br>Lighting helps define the environment. The environment on stage can be abstract or real: naturalism versus some other form. The lighting supports creating the space in which the story unfolds, thereby adding context to the story. Within that, it helps in composition because as I mentioned, where does an audience look? Where does the director place the actor? How do you get the audience to go with you regarding where you want them to look? Finally, lighting is the glue of a production. It brings together all the elements into one stylistic whole. A set designer might be doing one thing and a costume designer is doing something a little different but hopefully in the same vocabulary, and lighting brings those two elements together for the performance, thereby supporting the storytelling. It does all of those things within the context of live performance.<\/span><\/p>\n\n\n\n<h3 class=\"wp-block-editorial-q-and-a-question\"><span class=\"wp-block-editorial-q-and-a-name\">CFA:<\/span> <span class=\"wp-block-editorial-q-and-a-content\">As an audience member, should I notice the lighting?<\/span><\/h3>\n\n\n\n<p class=\"wp-block-editorial-q-and-a-answer\"><span class=\"wp-block-editorial-q-and-a-name\">Stanley:<\/span> <span class=\"wp-block-editorial-q-and-a-content\">For years, there was the adage that good lighting goes unnoticed. That was the premise on which a lot of lighting designers operated. I like to rephrase that a little bit. I say that good lighting design should not be&nbsp;<em>distracting<\/em>. You notice a good performance as an audience member. You say, \u201cI really loved the set.\u201d Or, \u201cthose costumes were really interesting and helped the character.\u201d You should also be aware that lighting is helping to make the experience more interesting, more exciting. In that sense, you hope somebody notices the lighting but it shouldn\u2019t distract from the performance. It should be so integrated that it feels part of the whole.<br><br>There are a lot of subliminal things in lighting including the use of color, angle, shadow, and intensity \u2013 all qualities of light that we manipulate. If you take a show like&nbsp;<em>Hamilton<\/em>, the lighting is really obvious. It moves and the colors change. There\u2019s lots of light cues. Then you take a show like&nbsp;<em>To Kill a Mockingbird.&nbsp;<\/em>The lighting in that show is stunningly beautiful but you don\u2019t really notice it. The way the lighting designer manipulates your eye, making contrasts, and creating composition are all just as skillful as&nbsp;<em>Hamilton<\/em>&nbsp;but it\u2019s just different.&nbsp;&nbsp;<\/span><\/p>\n<\/section>\n\n\n\n<div class=\"wp-block-bu-pullquote news-block-bu-pullquote alignwide is-style-modern has-image-focus-center-middle has-quaternary-theme\"><div class=\"wp-block-bu-pullquote-inner\"><blockquote><div class=\"container-lockup\"><div class=\"container-icon-outer\"><div class=\"container-icon-inner\"><\/div><\/div><div class=\"container-text\"><hr\/><div class=\"quote-sizing\">Lighting is the glue of a production. It brings together all the elements into one stylistic whole. A set designer might be doing one thing and a costume designer is doing something a little different but hopefully in the same vocabulary, and lighting brings those two elements together for the performance, thereby supporting the storytelling.<\/div><footer class=\"caption\">-Mark Stanley<\/footer><hr\/><\/div><\/div><\/blockquote><\/div><\/div>\n\n\n\n<section class=\"wp-block-editorial-q-and-a news-block-editorial-q-and-a\">\n<h3 class=\"wp-block-editorial-q-and-a-question\"><span class=\"wp-block-editorial-q-and-a-name\">CFA:<\/span> <span class=\"wp-block-editorial-q-and-a-content\">What makes you excited about teaching in the lighting program at BU College of Fine Arts?<\/span><\/h3>\n\n\n\n<p class=\"wp-block-editorial-q-and-a-answer\"><span class=\"wp-block-editorial-q-and-a-name\">Stanley:<\/span> <span class=\"wp-block-editorial-q-and-a-content\">I love helping individual students find their artistic voices. When they enter the program, many of them are still trying to figure out who they are as artists. That journey is very exciting for me. They go from someone who is trying to sort out what their point of view is about lighting and theater and at the end of the program, they come out \u2013 not as fully formed artists because hopefully, we\u2019re always growing throughout our entire career \u2013 but having a better sense of who they are as artists and are ready to confidently enter the world of theater-makers. That\u2019s exciting to me.<\/span><\/p>\n\n\n\n<h3 class=\"wp-block-editorial-q-and-a-question\"><span class=\"wp-block-editorial-q-and-a-name\">CFA:<\/span> <span class=\"wp-block-editorial-q-and-a-content\">We&#8217;ve heard from other theatre department heads how students are not expected to graduate with their work looking a certain way. Do you agree?<\/span><\/h3>\n\n\n\n<p class=\"wp-block-editorial-q-and-a-answer\"><span class=\"wp-block-editorial-q-and-a-name\">Stanley:<\/span> <span class=\"wp-block-editorial-q-and-a-content\">I agree with my colleagues. When I am interviewing graduate applicants, I say BU is not a cookie-cutter program. We don\u2019t want to turn out people who design \u201clike Boston University graduates.\u201d I think that\u2019s one of the hallmarks of our program. I don\u2019t want someone to design as I do. I want them to learn from what I know and hopefully, that will help them find their individual voice. But I think one of the strong points of our program is that our graduates come out of here designing all different ways based on who they are and what their experiences are.&nbsp;<\/span><\/p>\n\n\n\n<h3 class=\"wp-block-editorial-q-and-a-question\"><span class=\"wp-block-editorial-q-and-a-name\">CFA:<\/span> <span class=\"wp-block-editorial-q-and-a-content\">Have graduates found success in the field?<\/span><\/h3>\n\n\n\n<p class=\"wp-block-editorial-q-and-a-answer\"><span class=\"wp-block-editorial-q-and-a-name\">Stanley:<\/span> <span class=\"wp-block-editorial-q-and-a-content\">Absolutely. We have a really good success rate. I was just recently talking to a graduate who, since graduation, has had a full-time lighting design career. Most of our students in some fashion or another are making a career in lighting. A lot of applicants ask, \u201cWhat are your alumni doing?\u201d I answer, first of all, they\u2019re doing what they love. They\u2019re doing so many different things \u2013 which is exactly what our program is designed to make possible for them. One potential student said to me, \u201cI understand BU churns out Broadway designers.\u201d I said, well, I don\u2019t think so. First, we don\u2019t churn out anybody. Second, look at our alumni. They\u2019re working everywhere. The world is much bigger than Broadway.<\/span><\/p>\n\n\n\n<h3 class=\"wp-block-editorial-q-and-a-question\"><span class=\"wp-block-editorial-q-and-a-name\">CFA:<\/span> <span class=\"wp-block-editorial-q-and-a-content\">What do you look for in an applicant?<\/span><\/h3>\n\n\n\n<p class=\"wp-block-editorial-q-and-a-answer\"><span class=\"wp-block-editorial-q-and-a-name\">Stanley:<\/span> <span class=\"wp-block-editorial-q-and-a-content\">First, I look for people who are passionate about theater and about lighting. A lot of people love lighting but maybe don\u2019t love theater as much. They need to be passionate about&nbsp;theater as an art form. Second, they need to be curious. I don\u2019t want people coming in who aren\u2019t interested in finding out something new. They shouldn\u2019t be formula driven. So, they need to be passionate, curious, and also open-minded about what the possibilities are. They need to be willing to take criticism and try something new. I won\u2019t dictate what they should try. I am going to encourage them to try something different from what they\u2019ve done in the past.<br><br>My thing is \u2013 throw out everything you know and let\u2019s try something different. If in the end, you end up doing it the way you used to do it, that\u2019s fine, as long as you\u2019ve tried some new things. They need to have a certain level of experience in theater and lighting design to do well in our program. It\u2019s not a remedial program; it\u2019s a professional training program. Still, I would give more weight to passion, curiosity, and excitement about lighting and theater than I would to skill sets.&nbsp;<\/span><\/p>\n\n\n\n<h3 class=\"wp-block-editorial-q-and-a-question\"><span class=\"wp-block-editorial-q-and-a-name\">CFA:<\/span> <span class=\"wp-block-editorial-q-and-a-content\">If you can&#8217;t experiment in a grad program, where can you experiment?<\/span><\/h3>\n\n\n\n<p class=\"wp-block-editorial-q-and-a-answer\"><span class=\"wp-block-editorial-q-and-a-name\">Stanley:<\/span> <span class=\"wp-block-editorial-q-and-a-content\">That\u2019s the beauty of an academic experience. You can make mistakes, you can try things. There\u2019s no professional pressure to get it exactly right the first time.<\/span><\/p>\n\n\n\n<h3 class=\"wp-block-editorial-q-and-a-question\"><span class=\"wp-block-editorial-q-and-a-name\">CFA:<\/span> <span class=\"wp-block-editorial-q-and-a-content\">Why should a student choose BU over a program in a rural setting where the program is a major generator of theatre for a region?<\/span><\/h3>\n\n\n\n<p class=\"wp-block-editorial-q-and-a-answer\"><span class=\"wp-block-editorial-q-and-a-name\">Stanley:<\/span> <span class=\"wp-block-editorial-q-and-a-content\">I think the advantage of Boston, BU, in particular, is first, we have a committed professional faculty. All of us are working designers. We bring that experience to the classroom and use our work and connections to help build pathways to future careers. Going to a regional hub makes you one step removed from the professional community. Second, Boston has a vibrant arts community. You have to decide what pool you want to play in regarding where you want to be professionally. <br><br>Boston is a really good stepping stone to a larger theater community. That doesn\u2019t mean that you won\u2019t get a good education somewhere else. There are lots of good schools out there that are not in major metropolitan hubs. But because we are in Boston and near New York, and we have a professional design faculty, we can offer a broader spectrum of experiences and connections than other schools.&nbsp;<\/span><\/p>\n<\/section>\n\n\n\n<div class=\"wp-block-bu-pullquote news-block-bu-pullquote alignwide is-style-modern has-image-focus-center-middle has-quaternary-theme\"><div class=\"wp-block-bu-pullquote-inner\"><blockquote><div class=\"container-lockup\"><div class=\"container-icon-outer\"><div class=\"container-icon-inner\"><\/div><\/div><div class=\"container-text\"><hr\/><div class=\"quote-sizing\">Boston has a vibrant arts community. Because we are in Boston and near New York, AND we have a professional design faculty, we can offer [students] a broader spectrum of experiences and connections than other schools.<\/div><footer class=\"caption\">-Mark Stanley<\/footer><hr\/><\/div><\/div><\/blockquote><\/div><\/div>\n\n\n\n<section class=\"wp-block-editorial-q-and-a news-block-editorial-q-and-a\">\n<h3 class=\"wp-block-editorial-q-and-a-question\"><span class=\"wp-block-editorial-q-and-a-name\">CFA:<\/span> <span class=\"wp-block-editorial-q-and-a-content\">Why not attend a program in New York City?<\/span><\/h3>\n\n\n\n<p class=\"wp-block-editorial-q-and-a-answer\"><span class=\"wp-block-editorial-q-and-a-name\">Stanley:<\/span> <span class=\"wp-block-editorial-q-and-a-content\">A program there is in the midst of the theater community and that brings some advantages. But we offer a broader, more holistic view of what theater-making is.&nbsp;We focus on the student as an individual. We offer a high level of mentorship. Students know we are all working in the field and sometimes they worry that we will be too busy to have time for mentoring. I spend a lot of time reassuring them that we probably put in more hours mentoring than we do in the classroom or in production. Even though we\u2019re a professional faculty, we\u2019re very hands-on. When you come to Boston University, you\u2019re part of a community of people that are actively engaged in that community. The faculty is as engaged as the students.&nbsp;&nbsp;<\/span><\/p>\n<\/section>\n\n\n\t<section class=\"wp-block-editorial-collection-billboard news-block-editorial-collection-billboard\">\n\n\t\t<h3 class=\"collection-billboard-intro-title\">This Series<\/h3>\n\t\t<article class=\"collection-billboard-article\">\n\n\t\t\t\t\t\t\t<div class=\"collection-billboard-media\">\n\n\t\t\t\t\t\t\t\t\t\t\t<figure class=\"collection-navigation-image\">\n\t\t\t\t\t\t\t<img width=\"600\" height=\"600\" src=\"\/cfa\/files\/2022\/03\/James-Grady_600x600.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"James Grady\" loading=\"lazy\" srcset=\"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/03\/James-Grady_600x600.jpg 600w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/03\/James-Grady_600x600-150x150.jpg 150w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/03\/James-Grady_600x600-500x500.jpg 500w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/03\/James-Grady_600x600-550x550.jpg 550w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/03\/James-Grady_600x600-300x300.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/>\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\n\t\t\t\t\t<h3 class=\"collection-billboard-media-title\">\n\t\t\t\t\t\t<a\n\t\t\t\t\t\t\thref=\"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/news\/articles\/2021\/faculty-feature-james-grady\/\"\n\t\t\t\t\t\t\tclass=\"collection-billboard-media-title-link\"\n\t\t\t\t\t\t>Faculty Feature: James Grady<\/a>\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t<\/div>\n\t\t\t\n\t\t\t<div class=\"collection-billboard-content\">\n\t\t\t\t<h4 class=\"collection-billboard-small-title\">Also in<\/h4>\n\n\t\t\t\t<h3 class=\"collection-billboard-title\">\n\t\t\t\t\t<a\n\t\t\t\t\t\thref=\"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/news\/collections\/faculty-features\/\"\n\t\t\t\t\t\tclass=\"collection-billboard-title-link\"\n\t\t\t\t\t>Faculty Features<\/a>\n\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t\t\t\t<ul class=\"collection-billboard-list\">\n\t\t\t\t\t\t\t\t\t\t\t<li class=\"collection-billboard-list-item\">\n\t\t\t\t\t\t\t<article class=\"collection-billboard-list-item-article\">\n\t\t\t\t\t\t\t\t<p class=\"collection-billboard-list-item-article-date\">September 6, 2023<\/p>\n\t\t\t\t\t\t\t\t<h4 class=\"collection-billboard-list-item-article-title\">\n\t\t\t\t\t\t\t\t\t<a\n\t\t\t\t\t\t\t\t\t\thref=\"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/news\/articles\/2023\/faculty-feature-nancy-goeres\/\"\n\t\t\t\t\t\t\t\t\t\tclass=\"collection-card-article-title-link\"\n\t\t\t\t\t\t\t\t\t>Faculty Feature: Nancy Goeres<\/a>\n\t\t\t\t\t\t\t\t<\/h4>\n\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li class=\"collection-billboard-list-item\">\n\t\t\t\t\t\t\t<article class=\"collection-billboard-list-item-article\">\n\t\t\t\t\t\t\t\t<p class=\"collection-billboard-list-item-article-date\">March 29, 2023<\/p>\n\t\t\t\t\t\t\t\t<h4 class=\"collection-billboard-list-item-article-title\">\n\t\t\t\t\t\t\t\t\t<a\n\t\t\t\t\t\t\t\t\t\thref=\"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/news\/articles\/2023\/faculty-feature-rebecca-bourgault\/\"\n\t\t\t\t\t\t\t\t\t\tclass=\"collection-card-article-title-link\"\n\t\t\t\t\t\t\t\t\t>Faculty Feature: R\u00e9becca Bourgault<\/a>\n\t\t\t\t\t\t\t\t<\/h4>\n\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li class=\"collection-billboard-list-item\">\n\t\t\t\t\t\t\t<article class=\"collection-billboard-list-item-article\">\n\t\t\t\t\t\t\t\t<p class=\"collection-billboard-list-item-article-date\">November 8, 2022<\/p>\n\t\t\t\t\t\t\t\t<h4 class=\"collection-billboard-list-item-article-title\">\n\t\t\t\t\t\t\t\t\t<a\n\t\t\t\t\t\t\t\t\t\thref=\"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/news\/articles\/2022\/faculty-feature-kelly-bylica\/\"\n\t\t\t\t\t\t\t\t\t\tclass=\"collection-card-article-title-link\"\n\t\t\t\t\t\t\t\t\t>Faculty Feature: Kelly Bylica<\/a>\n\t\t\t\t\t\t\t\t<\/h4>\n\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t<\/ul>\n\t\t\t\t\n\t\t\t\t<p>\n\t\t\t\t\t<a\n\t\t\t\t\t\thref=\"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/news\/collections\/faculty-features\/\"\n\t\t\t\t\t\tclass=\"collection-billboard-link\"\n\t\t\t\t\t>Series home<\/a>\n\t\t\t\t<\/p>\n\n\t\t\t<\/div>\n\n\t\t<\/article>\n\n\t<\/section>\n\t\n\n\n<div class=\"wp-block-media-text alignfull has-background has-black-background-color is-stacked-on-mobile is-image-fill\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(\/cfa\/files\/2022\/08\/lighting-design-1024x683.jpg);background-position:50% 50%\"><img loading=\"lazy\" width=\"1024\" height=\"683\" src=\"\/cfa\/files\/2022\/08\/lighting-design-1024x683.jpg\" alt=\"\" class=\"wp-image-6007\"\/><\/figure><div class=\"wp-block-media-text__content\">\n<h2 class=\"has-white-color has-text-color\">Learn more about BU&#8217;s lighting design programs<\/h2>\n\n\n\n<p class=\"has-text-color has-white-color\">BU offers an undergraduate program and a graduate program in lighting design. Check out a list of notable alums and where they are today, see the work of current students, and get a behind-the-scenes look at BU&#8217;s Light &amp; Sound Lab, where students test their lighting setups prior to Booth Theatre&#8217;s big shows. <\/p>\n\n\n\n<p class=\"aligncenter\"><a class=\"wp-block-button wp-block-bu-button news-block-button has-quaternary-theme\" href=\"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/academics\/degrees-programs\/lighting-design\/\">visit program page<\/a><\/p>\n\n\n\n<p><\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>As the Resident Lighting Designer for the New York City Ballet, Mark Stanley, a professor of lighting design at BU, brings a wealth of knowledge from the professional field to his classroom. Stanley talks with CFA about what true and successful lighting design is and how the programs at BU encourage experimentation and finding ones artistic voice. <\/p>\n","protected":false},"author":8701,"featured_media":87244,"comment_status":"closed","ping_status":"closed","template":"","meta":{"bu_prepress_billboard":"","_bu_prepress_primary_term":"","_bu_prepress_primary_term_manual":""},"tags":[204,227,226],"bu-publication":[192],"magazine-article-category":[],"magazine-topic":[],"news-article-category":[218],"news-topic":[],"bu_edition":[],"media_type":[],"_links":{"self":[{"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article\/9398"}],"collection":[{"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article"}],"about":[{"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/types\/bu-article"}],"author":[{"embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/users\/8701"}],"replies":[{"embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/comments?post=9398"}],"version-history":[{"count":15,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article\/9398\/revisions"}],"predecessor-version":[{"id":90203,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article\/9398\/revisions\/90203"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/media\/87244"}],"wp:attachment":[{"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/media?parent=9398"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/tags?post=9398"},{"taxonomy":"bu-publication","embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-publication?post=9398"},{"taxonomy":"magazine-article-category","embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/magazine-article-category?post=9398"},{"taxonomy":"magazine-topic","embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/magazine-topic?post=9398"},{"taxonomy":"news-article-category","embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/news-article-category?post=9398"},{"taxonomy":"news-topic","embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/news-topic?post=9398"},{"taxonomy":"bu_edition","embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/bu_edition?post=9398"},{"taxonomy":"media_type","embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/media_type?post=9398"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}