{"id":7564,"date":"2022-06-30T12:28:19","date_gmt":"2022-06-30T16:28:19","guid":{"rendered":"http:\/\/id-andrea.cms-devl.bu.edu\/cfa\/?page_id=7564"},"modified":"2023-10-27T12:40:08","modified_gmt":"2023-10-27T16:40:08","slug":"fringe-festival","status":"publish","type":"page","link":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/music\/opera\/fringe-festival\/","title":{"rendered":"Fringe Festival"},"content":{"rendered":"<h5><img loading=\"lazy\" src=\"\/cfa\/files\/2023\/08\/Fringe-Festival-Stamp.png\" alt=\"\" width=\"551\" height=\"248\" class=\"wp-image-103164 alignleft\" style=\"font-size: 16px;\" srcset=\"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2023\/08\/Fringe-Festival-Stamp.png 1348w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2023\/08\/Fringe-Festival-Stamp-636x286.png 636w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2023\/08\/Fringe-Festival-Stamp-1024x460.png 1024w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2023\/08\/Fringe-Festival-Stamp-768x345.png 768w\" sizes=\"(max-width: 551px) 100vw, 551px\" \/><\/h5>\n<p>The annual Boston University Fringe Festival, now in its 27th season, is a collaboration between the College of Fine Arts School of Music: <a href=\"http:\/\/id-andrea.cms-devl.bu.edu\/cfa\/music\/opera\/\">Opera Institute<\/a> and <a href=\"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/theatre\/\">School of Theatre<\/a>. Fringe\u2019s mission is to produce new or rarely performed significant works in the opera and theatre repertoire, bringing performances and audiences together in unique theatrical settings. For over two decades, Fringe Festival at BU has celebrated and amplified new work, shown in spare and minimal productions.<\/p>\n<p>Spurred by the dynamic and diverse programs within BU College of Fine Arts, this year\u2019s Fringe features additional programming from BU <a href=\"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/visual-arts\/\">School of Visual Arts<\/a> and <a href=\"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/music\/\">School of Music<\/a>.<\/p>\n<p>You&#8217;re invited to experience the innovation and artistry at this year\u2019s performances!<\/p>\n<hr \/>\n<h2>Fringe 2023<\/h2>\n<h3><span style=\"color: #33cccc;\">NEXT STAGE WORKSHOPS<\/span><\/h3>\n<p><em><strong><span style=\"color: #33cccc;\">The School of Theatre New Play Initiative presents a series of Next Stage workshops, scenes, and plays. These Next Stage pieces are directed by undergraduate directors and will flower as the next step in the fruition of these new plays by BU students.<\/span><\/strong><\/em><\/p>\n<p>The nature of the presentation and the work is determined by the needs of the play. Curated by playwright <a href=\"http:\/\/id-andrea.cms-devl.bu.edu\/cfa\/about\/contact-directions\/directory\/kirsten-greenidge\/\">Kirsten Greenidge<\/a>, Associate Professor and director of BU School of Theatre&#8217;s Playwriting track, this \u201con-its-feet\u201d workshop or play experience focuses on different areas of the writing or specific parts of a project in the process of development.<\/p>\n<p>The Next Stage Workshops offer free admission. Contact <a href=\"mailto:theatre@bu.edu\">theatre@bu.edu<\/a> for more information.<\/p>\n<div class=\"bu_collapsible_container \" id=\"blue\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\"><em>Like Flies: A Rage Play<\/em><\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<h4><em>Like Flies: A Rage Play<\/em><\/h4>\n<h5>SEPTEMBER 22 \u2013 23, 2023<\/h5>\n<p>Written &amp; directed by Maggie Kearnan<\/p>\n<p><span>Presented by the Boston University School of Theatre New Play Initiative in association with <a href=\"https:\/\/www.bu.edu\/bpt\/performances\/fringe-festival-2023\/\" target=\"_blank\" rel=\"noopener noreferrer\">Boston Playwrights\u2019 Theatre<\/a><\/span><\/p>\n<p><strong>CFA 354<\/strong><\/p>\n<p><\/div>\n<\/div>\n\n<div class=\"bu_collapsible_container \" id=\"blue\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\"><em>Priscilla<\/em><\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<h4><em>Priscilla<\/em><\/h4>\n<h5>SEPTEMBER 23-24, 2023<\/h5>\n<p>By<span>\u00a0<\/span><span>Edward Sturm<\/span><br \/>\nDirected by<span>\u00a0<\/span><span>Emma Cahoon<\/span><br \/>\n<strong>Joan &amp; Edgar Booth Theatre<\/strong><\/p>\n<p><\/div>\n<\/div>\n\n<div class=\"bu_collapsible_container \" id=\"blue\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\"><em>Down Neck<\/em><\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<h4><em>Down Neck<\/em><\/h4>\n<h5>SEPTEMBER 29-30, 2023<\/h5>\n<p>By Tina Esper<br \/>\nDirected by Gregg Wiggans<\/p>\n<p><span>Presented by the Boston University School of Theatre New Play Initiative in association with <a href=\"https:\/\/www.bu.edu\/bpt\/performances\/fringe-festival-2023\/\" target=\"_blank\" rel=\"noopener noreferrer\">Boston Playwrights\u2019 Theatre<\/a><\/span><\/p>\n<p><strong>CFA 354<\/strong><\/p>\n<p><\/div>\n<\/div>\n\n<div class=\"bu_collapsible_container \" id=\"blue\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\"><em>Cars, Candy, and Other Colorful Things<\/em><\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<h4><em>Cars, Candy, and Other Colorful Things<\/em><\/h4>\n<h5>SEPTEMBER 30-OCTOBER 1, 2023<\/h5>\n<p>By Gaby Tovar<br \/>\n<strong>Joan &amp; Edgar Booth Theatre<\/strong><\/p>\n<p><\/div>\n<\/div>\n\n<div class=\"bu_collapsible_container \" id=\"blue\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\"><em>broke (not broken), lost n found<\/em><\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<h4><em><i>broke (not broken), lost n found<\/i><\/em><\/h4>\n<h5>OCTOBER 6-7, 2023<\/h5>\n<p>Written by Isabelle Sanatdar Stevens<br \/>\nDirected by Madeline Riddick-Seals<\/p>\n<p><span>Presented by the Boston University School of Theatre New Play Initiative in association with <a href=\"https:\/\/www.bu.edu\/bpt\/performances\/fringe-festival-2023\/\" target=\"_blank\" rel=\"noopener noreferrer\">Boston Playwrights\u2019 Theatre<\/a><\/span><\/p>\n<p><strong>CFA 354<\/strong><\/p>\n<p><\/div>\n<\/div>\n\n<div class=\"bu_collapsible_container \" id=\"blue\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\"><em>Gingko Express<\/em><\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<h4><em>Ginkgo Express<\/em><\/h4>\n<h5>OCTOBER 13-14, 2023<\/h5>\n<p>Written by<span>\u00a0<\/span><span>Brandon Zang<\/span><br \/>\nDirected by Terri McMahon<\/p>\n<p><span>Presented by the Boston University School of Theatre New Play Initiative in association with <a href=\"https:\/\/www.bu.edu\/bpt\/performances\/fringe-festival-2023\/\" target=\"_blank\" rel=\"noopener noreferrer\">Boston Playwrights\u2019 Theatre<\/a><\/span><\/p>\n<p><strong>CFA 354<\/strong><\/p>\n<p><\/div>\n<\/div>\n\n<div class=\"bu_collapsible_container \" id=\"blue\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\"><em>Delinquents Never Stay for Long<\/em><\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<h4><em>Delinquents Never Stay for Long<\/em><\/h4>\n<h5>OCTOBER 7-8, 2023<\/h5>\n<p>By<span>\u00a0<\/span><span>JoJo<\/span><br \/>\nDirected by<span>\u00a0<\/span><span>Charlie Berger<\/span><br \/>\n<strong>Joan &amp; Edgar Booth Theatre<\/strong><\/p>\n<p><\/div>\n<\/div>\n\n<h3><span style=\"color: #008080;\"><em>ALICE TIERNEY<\/em><\/span><\/h3>\n<p><strong><span style=\"color: #008080;\"><em>A co-production of BU Opera Institute and School of Theatre<\/em><\/span><\/strong><\/p>\n<h5>OCTOBER 13-15, 2023<\/h5>\n<p>Music by Melissa Dunphy<br \/>\nLibretto by Jacqueline Goldfinger<br \/>\nMusic Director \u2022 Allison Voth<br \/>\nStage Director \u2022 Claire Choquette<br \/>\n<strong>Studio ONE<\/strong><\/p>\n<p><em>Alice Tierney<\/em><span>\u00a0<\/span>explores the mythic stories surrounding the death of the real-life 19th-Century \u201cdissipated woman\u201d Alice Tierney. Tierney was found hanging by her own petticoats on a fence in a seedy Philadelphia neighborhood early one morning in 1880. Despite suspicious circumstances, the death was ruled accidental and never investigated by police. But who was Alice? Can four grad students investigating the site discover the truth? &#8211; <a href=\"http:\/\/www.melissadunphy.com\" target=\"_blank\" rel=\"noopener noreferrer\">melissadunphy.com<\/a><\/p>\n<div style=\"position: relative; padding-top: max(60%,326px); height: 0; width: 100%;\"><iframe style=\"position: absolute; border: none; width: 100%; height: 100%; left: 0; right: 0; top: 0; bottom: 0;\" allow=\"clipboard-write\" sandbox=\"allow-top-navigation allow-top-navigation-by-user-activation allow-downloads allow-scripts allow-same-origin allow-popups allow-modals allow-popups-to-escape-sandbox allow-forms\" allowfullscreen=\"allowfullscreen\" src=\"https:\/\/e.issuu.com\/embed.html?backgroundColor=%23d98184&amp;d=alice_tierney_2023_bu_opera_program&amp;u=bostonuniversitycollegeoffinearts\"><\/iframe><\/div>\n<h3><span style=\"color: #33cccc;\"><i>MARCUS, OR THE SECRET OF SWEET<\/i><\/span><\/h3>\n<p><em><strong><span style=\"color: #33cccc;\">Presented by BU School of Theatre<\/span><\/strong><\/em><\/p>\n<h5>OCTOBER 20-22, 2023<\/h5>\n<p>By Tarell Alvin McCraney<br \/>\nDirected by Rosalind Bevan<br \/>\n<strong>Joan &amp; Edgar Booth Theatre<\/strong><\/p>\n<p><span>Marcus is sixteen and \u201csweet.\u201d Days before Hurricane Katrina strikes the projects of Louisiana, Marcus keeps having dreams about a mysterious man and a ton of rain. The currents of his life converge, overflowing into his close-knit community and launching the search for his sexual and personal identity on a cultural landscape infused with mysterious family creeds. The poignant and fiercely humorous coming-of-age story of a young gay man in the South, Marcus is the stirring conclusion of The Brother\/Sister Plays.<\/span><\/p>\n<div style=\"position: relative; padding-top: max(60%,326px); height: 0; width: 100%;\"><iframe style=\"position: absolute; border: none; width: 100%; height: 100%; left: 0; right: 0; top: 0; bottom: 0;\" allow=\"clipboard-write\" sandbox=\"allow-top-navigation allow-top-navigation-by-user-activation allow-downloads allow-scripts allow-same-origin allow-popups allow-modals allow-popups-to-escape-sandbox allow-forms\" allowfullscreen=\"allowfullscreen\" src=\"https:\/\/e.issuu.com\/embed.html?d=marcus_or_the_secret_of_sweet_program&amp;u=bostonuniversitycollegeoffinearts\"><\/iframe><\/div>\n<h3><span style=\"color: #008080;\"><em>HYDROGEN JUKEBOX<\/em><\/span><\/h3>\n<p><strong><span style=\"color: #008080;\"><em>A co-production of BU Opera Institute and School of Theatre<\/em><\/span><\/strong><\/p>\n<h5>OCTOBER 27 \u2013 29, 2023<\/h5>\n<p>Music by Philip Glass<br \/>\nLibretto by Allen Ginsburg<br \/>\nMusic Director \u2022 Matthew Larson<br \/>\nStage Director \u2022 Sarah Dahnke<br \/>\n<strong>Studio ONE<\/strong><\/p>\n<p>Created as a portrait of America from the 1950s through the 1980s,<span>\u00a0<\/span><em>Hydrogen Jukebox<\/em><span>\u00a0<\/span>was composed after a chance meeting between composer, Philip Glass, and Beat poet, Allen Ginsberg. Through Glass\u2019 minimalist style, and Ginsberg\u2019s poetry on topics ranging from the anti-war movement to the environment, the opera touches on many of America\u2019s enduring social issues.<\/p>\n<p><a class=\"button\" href=\"https:\/\/ci.ovationtix.com\/36437\/production\/1176628\" target=\"_blank\" rel=\"noopener noreferrer\">Get Tickets<\/a><\/p>\n<div style=\"position: relative; padding-top: max(60%,326px); height: 0; width: 100%;\"><iframe style=\"position: absolute; border: none; width: 100%; height: 100%; left: 0; right: 0; top: 0; bottom: 0;\" allow=\"clipboard-write\" sandbox=\"allow-top-navigation allow-top-navigation-by-user-activation allow-downloads allow-scripts allow-same-origin allow-popups allow-modals allow-popups-to-escape-sandbox allow-forms\" allowfullscreen=\"allowfullscreen\" src=\"https:\/\/e.issuu.com\/embed.html?backgroundColor=%23d87070&amp;d=hydrogen_jukebox_bu_opera_program_&amp;u=bostonuniversitycollegeoffinearts\"><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<h3><span style=\"color: #3366ff;\"><em>The Gutter<\/em><\/span><\/h3>\n<p><span style=\"color: #3366ff;\"><em><strong>Presented by BU School of\u00a0 Visual Arts<\/strong><\/em><\/span><\/p>\n<h5>On view from September 15 \u2013 October 2, 2023<\/h5>\n<p><strong>CFA Commonwealth Gallery<\/strong>, 855 Commonwealth Ave., Boston (first floor)<br \/>\n<strong>Reception \u2022<\/strong> Friday, September 29, 7pm, Commonwealth Gallery<\/p>\n<p>The Gutter is presented by BU School of Visual Arts and its <a href=\"http:\/\/id-andrea.cms-devl.bu.edu\/cfa\/academics\/degrees-programs\/visual-narrative\/mfa\/\">MFA Visual Narrative Class<\/a> of 2024. \u201cAlthough most of the action happens inside the panels, all of the rhythm and flow of storytelling happens in the gutter,\u201d say curators and MFA Visual Narrative students Sadie Sauders (CFA\u201924) and Ella Scheuerell (CFA\u201924). \u201cWhen a drawing protrudes into the gutter, it can be dramatic. When a page has no gutters or too many gutters, it can be overwhelming. When the gutters are evenly spaced and clear, it can provide readers with a sense of order and tranquility. The gutter has the power to influence the reader without their even knowing. In all its meanings, the gutter is a necessity, despite its sometimes-negative connotation. Without it, rainwater would damage our homes, and bowling balls would become wrecking balls. Comics might not make sense. So perhaps next time you meet a cartoonist, instead of telling them to get their minds out the gutter, perhaps encourage them to get\u00a0their minds into the gutter, because that is where all the magic happens.\u201d<\/p>\n<h3><span style=\"color: #008000;\"><em>BRUSH|REED<\/em><\/span><\/h3>\n<p><span style=\"color: #008000;\"><em><strong>Presented by BU School of Music<\/strong><\/em><\/span><\/p>\n<h5>Wednesday, September 27, 2023<\/h5>\n<p><strong>808 Gallery<\/strong>, 808 Commonwealth Ave., Brookline<br \/>\nNoon performance followed by an open discussion with the artists<\/p>\n<p>Presented by the BU College of Fine Arts School of Music. Featuring Dr. <a href=\"http:\/\/id-andrea.cms-devl.bu.edu\/cfa\/about\/contact-directions\/directory\/jennifer-bill\/\">Jennifer Bill<\/a> (saxophone) and Linnea Maas (visual artist), <em>BRUSH|REED<\/em> is a collaboration between artist and musician to explore the parallels of painting and sound through live performance. <em>BRUSH|REED<\/em> engages an audience through color, pitch, representational lines, rhythm, intensity, and expression: an aural visual experience. The artists join together to explore the parallels between painting and music via live performances. Jennifer transforms the printed notes of her musical score into lush soundscapes, Linnea further interprets the music into visual color and form on her fresh canvas. The live art that blooms at every <em>BRUSH|REED<\/em> performance captivates and resonates with the audiences. The paintings that emerge establish a visual memory of the sights, sounds, and emotions of each intimate affair, impressing upon each audience member a feeling of symbiosis between the two disciplines presented to them. Learn more at <a href=\"http:\/\/www.brushreed.com\">www.brushreed.com<\/a>.<\/p>\n<h3><span style=\"color: #008000;\"><em>Sutasoma: The Tale of a Buddhist Prince<\/em><\/span><\/h3>\n<p><span style=\"color: #008000;\"><em><strong>Presented by BU School of Music<\/strong><\/em><\/span><\/p>\n<h5>Saturday, September 30, 2023<\/h5>\n<p><strong>CFA Concert Hall<\/strong>, 855 Commonwealth Ave., Boston<\/p>\n<p>Presented by the BU College of Fine Arts School of Music, the Balinese Shadow Play Music Ensemble at Boston University presents <em>Sutasoma: The Tale of a Buddhist Prince<\/em>, directed by Associate Professor <a href=\"http:\/\/id-andrea.cms-devl.bu.edu\/cfa\/about\/contact-directions\/directory\/brita-heimarck\/\">Brita Heimarck<\/a>. \u201cWe will present an adaptation of this 14th century kakawin (Old Javanese) text from Indonesia. The story follows Buddha, reincarnated as Sutasoma, the son of the King of Hastina. Pious Sutasoma had no desire to marry and become a king, so one night he fled the palace, sought refuge in the forest, and found his way to a monastery in the mountains. Through meditation his spiritual power grew, and many kings urged him to fight a demon king (Purusada or Kalmasapada) who was ravaging the land and killing many people. Nymphs and a god disguised as a goddess tried to tempt Sutasoma into marrying and taking his rightful place as a warrior of peace. But Sutasoma transformed his enemies into disciples seeking the spiritual path. Finally, he agreed to marry the beautiful daughter of King Dasabahu, and he discovered that she too had achieved an exalted level of spiritual insight.\u201d<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h2>Fringe in the News<\/h2>\n<div class=\"callouts has-2\">\n<div class=\"callout blue\">\n<div class=\"image\"><img src=\"\/cfa\/files\/2023\/10\/Alice-Tierney-BU-Opera-Institute-1.jpeg\" alt=\"performance photo from Alice Tierney\" \/><\/div>\n<div class=\"content\">\n<h4>All the World\u2019s a Stage at 27th Annual CFA Fringe Festivall<\/h4>\n<p>A <em>BU Today<\/em> article features the 2023 Fringe Festival performance lineup, which included an expanded series of opera, theatre, and visual arts events celebrating new and unconventional works<\/p>\n<p><a class=\"button\" href=\"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/news\/articles\/2023\/all-the-worlds-a-stage-at-27th-annual-cfa-fringe-festival\/\">Read More<\/a><\/p>\n<\/div>\n<\/div>\n<div class=\"callout blue\">\n<div class=\"image\"><img src=\"\/cfa\/files\/2022\/10\/HIja-de-Rappaccini-1.jpeg\" alt=\"Opera students in La Hija de Rappaccini as part of Fringe Festival 2022\" \/><\/div>\n<div class=\"content\">\n<h4>Curtains Open on 2022 CFA Fringe Festival<\/h4>\n<p>Annual showcase of opera and theater pieces includes works-in-progress by BU students. Read more in <i>BU Today<\/i>!<\/p>\n<p><a class=\"button\" href=\"https:\/\/www.bu.edu\/articles\/2022\/curtains-open-on-cfa-fringe-festival\/\">Read More<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"callouts has-2\">\n<div class=\"callout blue\">\n<div class=\"image\"><img src=\"\/cfa\/files\/2022\/04\/Opera-2021-63-scaled.jpg\" alt=\"performance photo from Proving Up, 2021 Fringe Festival\" \/><\/div>\n<div class=\"content\">\n<h4>25th Fringe Festival<\/h4>\n<p>A <em>BU Today<\/em> article features the 25th Fringe Festival performance lineup, which included two operas, <i> Proving Up<\/i> (music by Missy Mazzoli (BUTI\u201998, CFA\u201902), libretto by Royce Vavrek) and <i>The Infinite Energy of Ada Lovelace <\/i> (music by Kamala Sankaram, libretto by Rob Handel).<\/p>\n<p><a class=\"button\" href=\"https:\/\/www.bu.edu\/articles\/2021\/cfa-kicks-off-25th-fringe-festival-today\">Read More<\/a><\/p>\n<\/div>\n<\/div>\n<div class=\"callout blue\">\n<div class=\"image\"><img src=\"\/cfa\/files\/2020\/11\/opera-institute-4.jpg\" alt=\"opera\" \/><\/div>\n<div class=\"content\">\n<h4>Connect on Social<\/h4>\n<p>Follow BU Opera Institute for the latest news!<\/p>\n<p>Instagram \u2022 <a href=\"https:\/\/www.instagram.com\/buarts\/\" target=\"_blank\" rel=\"noopener noreferrer\">@buarts<\/a> and <a href=\"https:\/\/www.instagram.com\/bu_opera\/\" target=\"_blank\" rel=\"noopener noreferrer\">@bu_opera<\/a><\/p>\n<p>Facebook \u2022 <a href=\"https:\/\/www.facebook.com\/BU.Opera\" target=\"_blank\" rel=\"noopener noreferrer\">Boston University Opera Institute<\/a><\/p>\n<p>X (formerly Twitter) \u2022 <a href=\"https:\/\/twitter.com\/BUArts\" target=\"_blank\" rel=\"noopener noreferrer\">@buarts<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The annual Boston University Fringe Festival, now in its 27th season, is a collaboration between the College of Fine Arts School of Music: Opera Institute and School of Theatre. Fringe\u2019s mission is to produce new or rarely performed significant works in the opera and theatre repertoire, bringing performances and audiences together in unique theatrical settings. [&hellip;]<\/p>\n","protected":false},"author":6310,"featured_media":0,"parent":4700,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"bu-publication":[],"_links":{"self":[{"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/pages\/7564"}],"collection":[{"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/users\/6310"}],"replies":[{"embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/comments?post=7564"}],"version-history":[{"count":50,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/pages\/7564\/revisions"}],"predecessor-version":[{"id":105319,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/pages\/7564\/revisions\/105319"}],"up":[{"embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/pages\/4700"}],"wp:attachment":[{"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/media?parent=7564"}],"wp:term":[{"taxonomy":"bu-publication","embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-publication?post=7564"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}