{"id":8267,"date":"2022-07-12T09:29:04","date_gmt":"2022-07-12T13:29:04","guid":{"rendered":"http:\/\/id-andrea.cms-devl.bu.edu\/cfa\/?page_id=8267"},"modified":"2023-10-27T12:46:19","modified_gmt":"2023-10-27T16:46:19","slug":"season","status":"publish","type":"page","link":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/theatre\/season\/","title":{"rendered":"Production Season"},"content":{"rendered":"<h5><em>We are thrilled to be performing live for you!<\/em><\/h5>\n<h5><img loading=\"lazy\" src=\"\/cfa\/files\/2022\/03\/Susan-Mickey_600x600-150x150.jpg\" alt=\"Susan Mickey\" class=\"wp-image-247 alignleft\" width=\"132\" height=\"132\" srcset=\"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/03\/Susan-Mickey_600x600-150x150.jpg 150w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/03\/Susan-Mickey_600x600-500x500.jpg 500w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/03\/Susan-Mickey_600x600-550x550.jpg 550w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/03\/Susan-Mickey_600x600-300x300.jpg 300w, https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/files\/2022\/03\/Susan-Mickey_600x600.jpg 600w\" sizes=\"(max-width: 132px) 100vw, 132px\" \/><\/h5>\n<p>See our Slate of Projects below, to entice, inspire, enthrall, and thrill you. Performed, designed and creatively produced by the artists of the School of Theatre each of these offerings will capture you from the first line to the last.<\/p>\n<p>Join me at the theatre.<\/p>\n<p>Sincerely,<br \/>\n<strong>Susan Mickey, <\/strong><em>Director, School of Theatre<\/em><\/p>\n<hr \/>\n<h2>2023- 2024 Slate of Projects<\/h2>\n<p>Show details subject to change. Please send inquiries to <a href=\"mailto:theatre@bu.edu\">theatre@bu.edu<\/a>.<\/p>\n<p><a class=\"button\" href=\"https:\/\/ci.ovationtix.com\/36437\">TICKETS TO BU PRODUCTIONS<\/a><\/p>\n<h3><span>Quarter 0<\/span><\/h3>\n<p><span><div class=\"bu_collapsible_container \" id=\"pink\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">i love you and i always will or charlie's play<\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/span><\/p>\n<h5>September 9-10, 2023<\/h5>\n<p>By Tommy Vines<br \/>\nDirected by Tommy Vines<br \/>\n<strong>Joan &amp; Edgar Booth Theatre<\/strong><\/p>\n<p><span>What does it mean to grieve different and fully feel pain at every turn? When does grief become inescapable and undeniable in us all? When is it selfish to hold on to the past and immortalize our mortal memories? What does it mean to die, and what does it mean to live? How do we all grapple with loss differently while all feeling loss at the same time? <\/span><\/p>\n<p><span>After losing a good friend, Charlie, to cancer, Tommy spirals into a grief journey guided by her newfound obsession with immortalizing her friend as a warped way to cheat death. In stepping backwards through time, Tommy wades through memories past and present, attempting to reconstruct Charlie to the best of her ability. Wrought with the looming fear of the mortality of memory and life which has become fully realized before her, Tommy grieves and asks us what it means to be mortal, and what it costs to defy death in such a perverse and horrific way like compulsive, unnatural, imperfect immortality. Exploring life, love, loss, and grief through poetry, movement, multimedia expression, and song, this play makes Charlie immortal and in doing so, binds us all together in our own mortality, in our eternally mortal collective scream of grief.<\/span><\/p>\n<div style=\"position: relative; padding-top: max(60%,326px); height: 0; width: 100%;\"><iframe style=\"position: absolute; border: none; width: 100%; height: 100%; left: 0; right: 0; top: 0; bottom: 0;\" allow=\"clipboard-write\" sandbox=\"allow-top-navigation allow-top-navigation-by-user-activation allow-downloads allow-scripts allow-same-origin allow-popups allow-modals allow-popups-to-escape-sandbox allow-forms\" allowfullscreen=\"allowfullscreen\" src=\"https:\/\/e.issuu.com\/embed.html?d=i_love_you_and_i_always_will_or_charlie_s_play_-_p&amp;u=bostonuniversitycollegeoffinearts\"><\/iframe><\/div>\n<p><\/div>\n<\/div>\n<\/p>\n<h3><span>Quarter 1<\/span><\/h3>\n<p><span><div class=\"bu_collapsible_container \" id=\"blue\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">Fringe Festival: Next Stage Workshops<\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/span><\/p>\n<p>The School of Theatre New Play Initiative presents a series of Next Stage workshops, scenes, and plays. These Next Stage pieces will be directed by our Undergraduate Directors and will flower as the next step in the fruition of these new plays by BU students.<\/p>\n<p>The nature of the presentation and the work is determined by the needs of the play. Curated by Kirsten Greenidge, this \u201con-its-feet\u201d workshop or play experience focuses on different areas of the writing or specific parts of a project in the process of development.<\/p>\n<div style=\"position: relative; padding-top: max(60%,326px); height: 0; width: 100%;\">\n<p><iframe style=\"position: absolute; border: none; width: 100%; height: 100%; left: 0; right: 0; top: 0; bottom: 0;\" allow=\"clipboard-write\" sandbox=\"allow-top-navigation allow-top-navigation-by-user-activation allow-downloads allow-scripts allow-same-origin allow-popups allow-modals allow-popups-to-escape-sandbox allow-forms\" allowfullscreen=\"allowfullscreen\" src=\"https:\/\/e.issuu.com\/embed.html?backgroundColor=%235c74a4&amp;d=next_stage_workshops_2023_program&amp;u=bostonuniversitycollegeoffinearts\"><\/p>\n<h4><span>Like Flies: A Rage Play<\/span><\/h4>\n<h5>September 22 &#8211; 23, 2023<\/h5>\n<p>By Maggie Kearnan<br \/>\nDirected by Maggie Kearnan<br \/>\n<strong>CFA 354<\/strong><\/p>\n<h4>Down Neck<\/h4>\n<h5>September 29-30, 2023<\/h5>\n<p>By Tina Esper<br \/>\nDirected by Gregg Wiggans<br \/>\n<strong>CFA 354<\/strong><\/p>\n<h4><span>broke (not broken), lost n found<\/span><\/h4>\n<h5>October 6-7, 2023<\/h5>\n<p>By <span>Isabelle Sanatdar Stevens<\/span><br \/>\nDirected by <span>Isabelle Sanatdar Stevens<\/span><br \/>\n<strong>CFA 354<\/strong><\/p>\n<h4><span>Ginkgo Express<\/span><\/h4>\n<h5>October 13-14, 2023<\/h5>\n<p>By <span>Brandon Zang<\/span><br \/>\nDirected by <span>Brandon Zang<\/span><br \/>\n<strong>CFA 354<\/strong><\/p>\n<h4>Priscilla<\/h4>\n<h5>September 23-24, 2023<\/h5>\n<p>By <span>Edward Sturm<\/span><br \/>\nDirected by <span>Emma Cahoon<\/span><br \/>\n<strong>Joan &amp; Edgar Booth Theatre<\/strong><\/p>\n<h4>Cars, Candy, and Other Colorful Things<\/h4>\n<h5>September 30-October 1, 2023<\/h5>\n<p>By Gaby Tovar<br \/>\nDirected by TBD<br \/>\n<strong>Joan &amp; Edgar Booth Theatre<\/strong><\/p>\n<h4>Delinquents Never Stay for Long<\/h4>\n<h5>October 7-8, 2023<\/h5>\n<p>By <span>JoJo<\/span><br \/>\nDirected by <span>Charlie Berger<\/span><br \/>\n<strong>Joan &amp; Edgar Booth Theatre<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><\/iframe><\/p>\n<\/div>\n<p><\/div>\n<\/div>\n<\/p>\n<p><span><div class=\"bu_collapsible_container \" id=\"blue\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">Fringe Festival: <i>Marcus, or the Secret of Sweet<\/i><\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/span><\/p>\n<h5>October 20-22, 2023<\/h5>\n<h5>By <span>Tarell Alvin McCraney<\/span><br \/>\nDirected by Rosalind Bevan<\/h5>\n<p><span>Marcus is sixteen and \u201csweet.\u201d Days before Hurricane Katrina strikes the projects of Louisiana, Marcus keeps having dreams about a mysterious man and a ton of rain. The currents of his life converge, overflowing into his close-knit community and launching the search for his sexual and personal identity on a cultural landscape infused with mysterious family creeds. The poignant and fiercely humorous coming-of-age story of a young gay man in the South, Marcus is the stirring conclusion of The Brother\/Sister Plays.<\/span><\/p>\n<p><strong>Joan &amp; Edgar Booth Theatre<\/strong><\/p>\n<div style=\"position: relative; padding-top: max(60%,326px); height: 0; width: 100%;\"><iframe style=\"position: absolute; border: none; width: 100%; height: 100%; left: 0; right: 0; top: 0; bottom: 0;\" allow=\"clipboard-write\" sandbox=\"allow-top-navigation allow-top-navigation-by-user-activation allow-downloads allow-scripts allow-same-origin allow-popups allow-modals allow-popups-to-escape-sandbox allow-forms\" allowfullscreen=\"allowfullscreen\" src=\"https:\/\/e.issuu.com\/embed.html?d=marcus_or_the_secret_of_sweet_program&amp;u=bostonuniversitycollegeoffinearts\"><\/iframe><\/div>\n<p><\/div>\n<\/div>\n<\/p>\n<p><span><div class=\"bu_collapsible_container \" id=\"blue\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">Fringe Festival: <em>Alice Tierney<\/em><\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/span><br \/>\n<strong>Co-produced with BU Opera Institute<\/strong><\/p>\n<h5>October 13-15, 2023<\/h5>\n<p><strong>Studio ONE<\/strong><\/p>\n<p>Music by Melissa Dunphy<br \/>\nLibretto by Jacqueline Goldfinger<br \/>\nMusic Director \u2022 Allison Voth<br \/>\nStage Director \u2022 Claire Choquette<\/p>\n<p><em>Alice Tierney<\/em> explores the mythic stories surrounding the death of the real-life 19th-Century &#8220;dissipated woman&#8221; Alice Tierney. Tierney was found hanging by her own petticoats on a fence in a seedy Philadelphia neighborhood early one morning in 1880. Despite suspicious circumstances, the death was ruled accidental and never investigated by police. But who was Alice? Can four grad students investigating the site discover the truth?\u00a0-melissadunphy.com<\/p>\n<p>The Boston University Fringe Festival, is a collaboration between the College of Fine Arts School of Music: Opera Institute and School of Theatre. The festival\u2019s mission is to produce new or rarely performed significant works in the opera and theatre repertoire, bringing performances and audiences together in unique theatrical settings. For over two decades, Fringe Festival at Boston University has celebrated and amplified new work, shown in spare and minimal productions.<\/p>\n<div style=\"position: relative; padding-top: max(60%,326px); height: 0; width: 100%;\"><iframe style=\"position: absolute; border: none; width: 100%; height: 100%; left: 0; right: 0; top: 0; bottom: 0;\" allow=\"clipboard-write\" sandbox=\"allow-top-navigation allow-top-navigation-by-user-activation allow-downloads allow-scripts allow-same-origin allow-popups allow-modals allow-popups-to-escape-sandbox allow-forms\" allowfullscreen=\"allowfullscreen\" src=\"https:\/\/e.issuu.com\/embed.html?backgroundColor=%23d98184&amp;d=alice_tierney_2023_bu_opera_program&amp;u=bostonuniversitycollegeoffinearts\"><\/iframe><\/div>\n<p><\/div>\n<\/div>\n<\/p>\n<div class=\"bu_collapsible_container \" id=\"blue\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">Fringe Festival: <em>Hydrogen Jukebox<\/em><\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><br \/>\n<strong>Co-produced with BU Opera Institute<\/strong><\/p>\n<h5>October 27 &#8211; 29, 2023<\/h5>\n<p><strong>Studio ONE<\/strong><\/p>\n<p>Music by Philip Glass<br \/>\nLibretto by Allen Ginsburg<br \/>\nMusic Director \u2022 Matthew Larson<br \/>\nStage Director \u2022 Sarah Dahnke<\/p>\n<p>Created as a portrait of America from the 1950s through the 1980s, <em>Hydrogen Jukebox<\/em> was composed after a chance meeting between composer, Philip Glass, and Beat poet, Allen Ginsberg. Through Glass\u2019 minimalist style, and Ginsberg\u2019s poetry on topics ranging from the anti-war movement to the environment, the opera touches on many of America\u2019s enduring social issues.<\/p>\n<p>The Boston University Fringe Festival, is a collaboration between the College of Fine Arts School of Music: Opera Institute and School of Theatre. The festival\u2019s mission is to produce new or rarely performed significant works in the opera and theatre repertoire, bringing performances and audiences together in unique theatrical settings. For over two decades, Fringe Festival at Boston University has celebrated and amplified new work, shown in spare and minimal productions.<\/p>\n<p><a class=\"button\" href=\"https:\/\/ci.ovationtix.com\/36437\/production\/1176628\">TICKETS TO HYDROGEN JUKEBOX<\/a><\/p>\n<div style=\"position: relative; padding-top: max(60%,326px); height: 0; width: 100%;\"><iframe style=\"position: absolute; border: none; width: 100%; height: 100%; left: 0; right: 0; top: 0; bottom: 0;\" allow=\"clipboard-write\" sandbox=\"allow-top-navigation allow-top-navigation-by-user-activation allow-downloads allow-scripts allow-same-origin allow-popups allow-modals allow-popups-to-escape-sandbox allow-forms\" allowfullscreen=\"allowfullscreen\" src=\"https:\/\/e.issuu.com\/embed.html?backgroundColor=%23d87070&amp;d=hydrogen_jukebox_bu_opera_program_&amp;u=bostonuniversitycollegeoffinearts\"><\/iframe><\/div>\n<p><\/div>\n<\/div>\n\n<h3>Quarter 2<\/h3>\n<p><span><div class=\"bu_collapsible_container \" id=\"green\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\"><em>Orlando<\/em><\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/span><\/p>\n<h5>December 2-9, 2023<\/h5>\n<p>By Sarah Ruhl<br \/>\nDirected by Vanessa Ogbuehi<br \/>\n<strong>Joan &amp; Edgar Booth Theatre<\/strong><\/p>\n<p><span>Based on the Virginia Woolf novel, this is the story of a young nobleman who is drawn into a love affair with Queen Elizabeth I. For a time, life at court is interesting enough, but Orlando yearns for something more. As he strives to make his way as a poet and lover, his travels keep him at the heart of a dazzling tale where gender and gender preferences shift regularly, usually with hilarious results. (sarahruhlplaywright.com)<\/span><\/p>\n<p><a class=\"button\" href=\"https:\/\/ci.ovationtix.com\/36437\/production\/1176634\">TICKETS TO ORLANDO<\/a><\/p>\n<p><\/div>\n<\/div>\n<\/p>\n<p><span><div class=\"bu_collapsible_container \" id=\"green\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\"><em>Fucking A<\/em><\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/span><\/p>\n<h5>December 7 &#8211; 10, 2023<\/h5>\n<p>By Suzan Lori-Parks<br \/>\nDirected by Patdro Harris<\/p>\n<p><strong>Studio ONE<\/strong><\/p>\n<p><em>Fucking A<\/em><span>\u00a0is an otherworldly tale involving a noble mother, her wayward son and others. Hester Smith, the revered and reviled local abortionist, hatches a plan to buy her jailed son\u2019s freedom\u2014and nothing will deter Hester from her quest. In this violent and wild-eyed blend of story and song, which harkens to Brechtian and Jacobean structure, Hester\u2019s branded letter A becomes a provocative emblem of vengeance, violence and sacrifice. (concordtheatricals.com)<\/span><\/p>\n<p><a class=\"button\" href=\"https:\/\/ci.ovationtix.com\/36437\/production\/1176633\">TICKETS TO FUCKING A<\/a><\/p>\n<p><\/div>\n<\/div>\n<\/p>\n<p><span><div class=\"bu_collapsible_container \" id=\"green\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\"><em>Hedda Gabler<\/em><\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/span><\/p>\n<h5>December 2-3, 2023<\/h5>\n<p>By Henrik Ibsen<br \/>\nAdapted by Christopher Shinn<br \/>\nDirected by Gregg Wiggans<\/p>\n<p><strong>CFA 356<\/strong><\/p>\n<p><span>This Broadway adaptation of Ibsen&#8217;s timeless drama presents a sympathetic, yet striking and powerful, Hedda in the classic tale of her struggle to find a means of escape from a loveless, ordinary existence. Beginning with the return from her honeymoon, Hedda finds herself bored of her husband, and longing for the days when she was free to exercise her wild and independent whims. With the return of an old flame and a proposition from an amorous judge, she begins a dangerous game, amusing herself by manipulating and destroying everyone around her in an attempt to regain control of her life. (Playscripts Inc.)<\/span><\/p>\n<p><\/div>\n<\/div>\n<\/p>\n<p><span><div class=\"bu_collapsible_container \" id=\"green\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\"><em>Sense and Sensibility<\/em><\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/span><\/p>\n<h5>December 8-9, 2023<\/h5>\n<p>By Kate Hamill<br \/>\nDirected by Christine Hamel<\/p>\n<p><strong>CFA 109<\/strong><\/p>\n<p><span>A playful new adaptation of Jane Austen\u2019s beloved novel follows the fortunes (and misfortunes) of the Dashwood sisters\u2014sensible Elinor and hypersensitive Marianne\u2014after their father\u2019s sudden death leaves them financially destitute and socially vulnerable. Set in gossipy late 18th-century England, with a fresh female voice, the play is full of humor, emotional depth, and bold theatricality. SENSE AND SENSIBILITY examines our reactions, both reasonable and ridiculous, to societal pressures. When reputation is everything, how do you follow your heart? (Dramatists Play Services)<\/span><\/p>\n<p><\/div>\n<\/div>\n<\/p>\n<p><span><div class=\"bu_collapsible_container \" id=\"green\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\"><em>School for Lies<\/em><\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/span><\/p>\n<h5>December 9-10, 2023<\/h5>\n<p>By David Ives<br \/>\nDirector TBD<br \/>\n<strong>CFA 356<\/strong><\/p>\n<p><span>Adapted from\u00a0<\/span><em>Le Misanthrope<\/em><span>\u00a0by Moli\u00e8re. It\u2019s 1666 and the brightest, wittiest salon in Paris is that of Celimene, a beautiful young widow so known for her satiric tongue she\u2019s being sued for it. Surrounded by shallow suitors, whom she lives off of without surrendering to, Celimene has managed to evade love since her beloved husband died\u2014until today, when Frank appears. A traveler from England known for his own coruscating wit and acidic misanthropy, Frank turns Celimene\u2019s world upside-down, taking on her suitors, matching her barb for barb, and teaching her how to live again. (Never mind that their love affair has been engineered by a couple of well-placed lies.) This wild farce of furious tempo and stunning verbal display, all in very contemporary couplets, runs variations on Moli\u00e8re\u2019s\u00a0<\/span><em>The Misanthrope<\/em><span>, which inspired it. Another incomparable romp from the brilliant author of\u00a0<\/span><em>All in the Timing<\/em><span>. (Dramatists.com)<\/span><\/p>\n<p><\/div>\n<\/div>\n<\/p>\n<p><span><div class=\"bu_collapsible_container \" id=\"green\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">Director's Project<\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/span><\/p>\n<h5>December 2-6, 2023<\/h5>\n<p>Directed by Clay Hopper and Undergraduates<br \/>\n<strong>CFA 352<\/strong><\/p>\n<p>The School of Theatre presents The Director&#8217;s Project, a compilation of studio sharing of coursework and classroom excellence.\u00a0These sharings will inhabit the end of the semester and will give a public face to some of our best classroom work.<\/p>\n<p><\/div>\n<\/div>\n<\/p>\n<p><span><div class=\"bu_collapsible_container \" id=\"green\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">Fall Semester Springboard Projects<\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/span><\/p>\n<p>The School of Theatre New Play Initiative presents public readings of new offerings to the world of theatre. Directed music stand\/table readings of the play with a short rehearsal period. Each reading will include a short talk-back at the end with the playwright and the cast.<\/p>\n<h4>Art is Selfish<\/h4>\n<h5>December 9, 2023<\/h5>\n<p>By Abacus Dean-Polichek<br \/>\nDirector: <span>Emma Weller<\/span><br \/>\n<strong>CFA 106<\/strong><\/p>\n<h4><span>Orpheus in the Overworld<\/span><\/h4>\n<h5>December 9, 2023<\/h5>\n<p>By Dante Gonzalez<br \/>\nDirector: Madeline Riddick-Seals<br \/>\n<strong>CFA 106<\/strong><\/p>\n<h4><span>The Mountains are Calling&#8230;<\/span><\/h4>\n<h5>December 10, 2023<\/h5>\n<p>By Lana Sage<br \/>\nDirector: <span>Reanna Valencia<\/span><br \/>\n<strong>CFA 106<\/strong><\/p>\n<h4><span>Pyrrhic V<\/span>ictory. Sometimes Called: Myth and Punishment<\/h4>\n<h5>December 12, 2023<\/h5>\n<p>By Alexa Connors<br \/>\nDirector: <span>TBD<\/span><br \/>\n<strong>CFA 106<\/strong><\/p>\n<h4><span>TBD<\/span><\/h4>\n<h5>December 14, 2022<\/h5>\n<p>By Steve Yockey<br \/>\nDirector: <span>Gregg Wiggans<\/span><br \/>\n<strong>CFA 106<\/strong><\/p>\n<p><\/div>\n<\/div>\n<\/p>\n<p><span><div class=\"bu_collapsible_container \" id=\"green\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">Sophomore Acting Project<\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/span><\/p>\n<h5>December 2 &#8211; 3, 2023<\/h5>\n<p><strong>CFA 354<\/strong><\/p>\n<p><\/div>\n<\/div>\n<\/p>\n<p><span><div class=\"bu_collapsible_container \" id=\"green\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">Aurora Borealis: A Festival of Light and Dance<\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/span><\/p>\n<h5>Monday, December 4 \u2022 7pm &amp; 9pm<\/h5>\n<p><span><strong>BU Dance Theatre\u00a0<\/strong><\/span><\/p>\n<p><span>The Boston University College of Fine Arts School of Theatre, in collaboration with the Department of Physical Education, Recreation and Dance, presents the 21st annual Aurora Borealis: A Festival of Light and Dance. Aurora Borealis is a vibrant exploration of the relationship between light and form with a focus on collaboration and experimentation, featuring dance and movement pieces by faculty and students with lighting designed by Slick Jorgensen, a graduate student in the School of Theatre Lighting Design Program. <\/span><\/p>\n<p><span>The one-hour performances are Monday, December 4, 7pm and 9pm; free and open to the public. No ticketing required. Yo-EL Cassell and Micki Taylor-Pinney are the artistic co-directors. Mark Stanley is the Lighting Design Faculty Advisor and Lynda Rieman is the BU Dance Theater Production Manager.<\/span><\/p>\n<p><\/div>\n<\/div>\n<\/p>\n<h3>Quarter 3<\/h3>\n<p><span><div class=\"bu_collapsible_container \" id=\"yellow\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\"><em>Cendrillon<\/em><\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/span><\/p>\n<h5>February 29 &#8211; March 3, 2024<\/h5>\n<p><strong>Co-produced with BU CFA Opera Institute<\/strong><br \/>\n<strong> Joan &amp; Edgar Booth Theatre\u00a0<\/strong><\/p>\n<p>Composed by: Jules Massenet<\/p>\n<p>Libretto by: Henri Ca\u00efn<\/p>\n<p>Conductor: William Lumpkin<\/p>\n<p>Stage Director: Brenna Corner<\/p>\n<p><span>A co-production between the School of Music\u2019s Opera Institute and the School of Theatre, each spring the BU Community and beyond is invited to the Booth Theatre to experience the exceptional talent of the students in the College of Fine Arts in this unique collaboration.<\/span><\/p>\n<p><\/div>\n<\/div>\n<\/p>\n<p><span><div class=\"bu_collapsible_container \" id=\"yellow\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\"><em>One Penny Down<\/em><\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/span><\/p>\n<h5>February 29 &#8211; March 3, 2024<\/h5>\n<h5><strong>Studio ONE<\/strong><\/h5>\n<p>Written by: Kirsten Greenidge<\/p>\n<p>Directed by: TBD<\/p>\n<p><\/div>\n<\/div>\n<\/p>\n<p><span><div class=\"bu_collapsible_container \" id=\"yellow\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\"><em>Ever in the Glades<\/em><\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/span><\/p>\n<h5>March 2-3, 2024<\/h5>\n<p>By Laura Schellhardt<br \/>\nDirected by Terri McMahon<br \/>\n<strong>CFA 356<\/strong><\/p>\n<p><span>On an isolated island deep in the heart of the Everglades, five teenagers struggle to survive in a land where the adults are as dangerous as the gators. When one of the kids returns from juvenile detention to help the rest escape to the mainland, it seems their prayers have been answered. There&#8217;s only one problem: they need a boat, and they need it before the adults catch wind of their plan and end it\u2014or end them. Ever in the Glades begs the question: what is the current generation&#8217;s responsibility to the next, and what happens if we fail them? (dramaticpublishing.com)<\/span><\/p>\n<p><\/div>\n<\/div>\n<\/p>\n<p><span><div class=\"bu_collapsible_container \" id=\"yellow\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">Grad Collab Project #1<\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/span><\/p>\n<h5>February 24-25, 2024<\/h5>\n<p><strong>CFA 352<\/strong><\/p>\n<p><span>These projects emerge out of the artistic collaboration of the teams in the SOT Graduate Collaboration course. They are developed in the Fall class and then performed in each quarter of the Spring semester. Titles will be chosen from a curated list of plays created by the students and faculty of the slate committee.<\/span><\/p>\n<p><\/div>\n<\/div>\n<\/p>\n<p><span><div class=\"bu_collapsible_container \" id=\"yellow\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">Senior Acting Thesis Pods<\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/span><\/p>\n<h5><span>Senior Acting Thesis Pods 1<\/span><\/h5>\n<p><strong>January 27 &#8211; 28, 2024<\/strong><br \/>\n<strong>CFA 354<\/strong><\/p>\n<h5>Senior Acting Thesis Pods 2<\/h5>\n<p><strong>February 3 &#8211; 4, 2024<\/strong><br \/>\n<strong>CFA 354<\/strong><\/p>\n<h5><span>Senior Acting Thesis Pods 3<\/span><\/h5>\n<p><strong>February 10 &#8211; 11, 2024<\/strong><br \/>\n<strong>CFA 354<\/strong><\/p>\n<h5><span>Senior Acting Thesis Pods 4<\/span><\/h5>\n<p><strong>February 17 -18, 2024<\/strong><br \/>\n<strong>CFA 354<\/strong><\/p>\n<h5><span>Senior Acting Thesis Pods 5<\/span><\/h5>\n<p><strong>February 24 &#8211; 25, 2024<br \/>\n<strong>CFA 354<\/strong><\/strong><\/p>\n<h5><span>Senior Acting Thesis Pods 6<\/span><\/h5>\n<p><strong>March 2-3, 2024<br \/>\nCFA 354<\/strong><\/p>\n<p><\/div>\n<\/div>\n<\/p>\n<h3>Quarter 4<\/h3>\n<p><span><div class=\"bu_collapsible_container \" id=\"pink\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\"><\/span><em>Sunday in the Park with George<\/em><span><\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/span><\/p>\n<h5>April 25-28, 2024<\/h5>\n<p>Music &amp; Lyrics by: Stephen Sondheim<\/p>\n<p>Book by: James Lapine<\/p>\n<p>Directed by: TBD<\/p>\n<p><strong>Joan &amp; Edgar Booth Theatre<\/strong><\/p>\n<p><span>Inspired by the painting,\u00a0A Sunday Afternoon on the Island of La Grande\u00a0Jatte by Georges Seurat,\u00a0Sunday in the Park with George, Stephen Sondheim and James Lapine&#8217;s stunning masterpiece, merges past and present into beautiful, poignant truths about life, love and the creation of art. One of the most acclaimed musicals of our time, this moving study of the enigmatic painter, Georges Seurat, won a Pulitzer Prize and was nominated for an astounding ten Tony Awards, including Best Musical. (MTIShows.com)<\/span><\/p>\n<p><\/div>\n<\/div>\n<\/p>\n<p><span><div class=\"bu_collapsible_container \" id=\"pink\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\"><em>Yerma<\/em><\/span><span><\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/span><\/p>\n<h5>April 25-28, 2024<\/h5>\n<p>Written by: Fredrico Garcia Lorca<\/p>\n<p>Translated by: Richard O&#8217;Connell &amp; James Graham-Lujan<\/p>\n<p>Directed by: Greg Wiggans<\/p>\n<p><strong> Studio ONE<\/strong><\/p>\n<p><span>A woman full of passion and life in rural Spain remains childless. Yerma&#8217;s desperate desire for motherhood becomes an obsession. Clashing with the strict moral codes of those around her, she is driven to the limits of her sanity, willing to anything to have a child. (concordtheatricals.co.uk)<\/span><\/p>\n<p><\/div>\n<\/div>\n<\/p>\n<div class=\"bu_collapsible_container \" id=\"pink\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\"><em>La clemenza di Tito<\/em><span><\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/span><\/p>\n<p><b>Co-produced with BU CFA Opera Institute<\/b><\/p>\n<h5>April 18 &#8211; April 21, 2024<\/h5>\n<p><strong>Boston University Tsai Performance Center<\/strong><\/p>\n<p>Composed by: Wolfgang Amadeus Mozart<\/p>\n<p>Libretto by: Caterino Mazzol\u00e0<\/p>\n<p>Conductor: William Lumpkin<\/p>\n<p>Stage Director: Eve Summer<\/p>\n<p><span>A coproduction between the School of Music\u2019s Opera Institute and the School of Theatre, each spring the BU Community and beyond is invited to the Tsai Center to experience the exceptional talent of the students in the College of Fine Arts in this unique collaboration.<\/span><\/p>\n<p><\/div>\n<\/div>\n\n<p><span><div class=\"bu_collapsible_container \" id=\"pink\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">Grad Collab Project #2<\/span><span><\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/span><\/p>\n<h5>April 27-28, 2024<\/h5>\n<p><strong>CFA 352<\/strong><\/p>\n<p>These projects emerge out of the artistic collaboration of the teams in the Master Class course. They are developed in the Fall class and then performed in each quarter of the Spring semester. They will be chosen from a curated list of plays created by the students and faculty of the Slate Committee. The choice will be made in the Fall of 2023.<\/p>\n<p><\/div>\n<\/div>\n<\/p>\n<p><span><div class=\"bu_collapsible_container \" id=\"pink\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">STAMP Projects<\/span><span><\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/span><\/p>\n<p>The School of Theatre presents the Senior Theatre Arts Majors\u2019 Projects (STAMP). These capstone events will be sprinkled throughout this semester and will bloom in many different guises. By Senior Theatre Arts Majors.<\/p>\n<p><\/div>\n<\/div>\n<\/p>\n<p><span><div class=\"bu_collapsible_container \" id=\"pink\" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">Spring Semester Springboard Projects<\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/span><\/p>\n<p>The School of Theatre New Play Initiative presents public readings of new offerings to the world of theatre. Directed music stand\/table readings of the play with a short rehearsal period. Each reading will include a short talk-back at the end with the playwright and the cast.<\/p>\n<h4>Trophically Cascaded<\/h4>\n<h5>April 27, 2024<\/h5>\n<p>By Rachel Harris<\/p>\n<p><strong>CFA 106<\/strong><\/p>\n<h4><span>My Dear Friend Wagner<\/span><\/h4>\n<h5>April 28, 2024<\/h5>\n<p>By Lana Sage<\/p>\n<p><strong>CFA 106<\/strong><\/p>\n<h4>ManSpread<\/h4>\n<h5>May 1, 2024<\/h5>\n<p>By Ava LaRoche<\/p>\n<p><strong>CFA 106<\/strong><\/p>\n<p><\/div>\n<\/div>\n<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h4>Behind the Scenes<\/h4>\n<p>There are a number of special partnerships and initiatives in the School of Theatre. Learn more about them, along with our incredible venues and facilities, here!<\/p>\n<h5>Initiatives<\/h5>\n<ul>\n<li><strong>FRINGE FESTIVAL \u2022 <\/strong>New work, shown in a spare and minimal production &#8212; the Fringe offerings can be plays, operas, or other work.\u00a0 They also can be shown in a variety of venues.<\/li>\n<li><strong>GRADUATE COLLABORATIVE PROJECTS<\/strong> \u2022 These projects emerge out of the artistic collaboration of the teams in the Graduate Collaborative Forum course.\u00a0 They are developed in the Fall class and then performed in each quarter of the Spring semester<\/li>\n<li><strong>NEXT STAGE WORKSHOP<\/strong> \u2022 An \u201con-its-feet\u201d workshop that may focus on different areas of the writing or specific parts of a project in process of development.\u00a0 Not necessarily a full production.<\/li>\n<li><strong>SPRINGBOARD<\/strong> \u2022 Directed music stand\/table readings of the play with a short rehearsal period.<\/li>\n<\/ul>\n<h5>Partnerships<\/h5>\n<ul>\n<li><strong>BOSTON PLAYWRIGHTS\u2019 THEATRE (BPT) \u2022 <\/strong>SOT partners with BPT at 949 Commonwealth Ave to produce and perform the plays written by the graduate MFA playwrights at BU CAS.\u00a0 The plays are performed at the BPT theatre space, have different rehearsal and production schedules, and they are eligible for AEA Equity Membership Candidate (EMC) points. BPT rehearsal hours: Tuesday-Friday 7:00pm-11:00pm, Saturday and Sunday (5 hours each day, specific time TBD)<\/li>\n<li><strong>OPERA INSTITUTE<\/strong> We often partner with the School of Music\u2019s Opera Institute to design, stage- manage, build, and\/or production-manage the opera productions. These operate on a slightly different time-line dictated by their curricular needs. Learn more at <a href=\"http:\/\/id-andrea.cms-devl.bu.edu\/cfa\/music\/opera\/\">bu.edu\/opera<\/a>.<\/li>\n<li><strong>WHEELOCK FAMILY THEATRE (WFT) \u2022<\/strong>\u00a0SOT students may have the opportunity to work on WFT productions as designers and actors.These productions operate on a slightly different time-line and rehearsal\/production schedule.<\/li>\n<\/ul>\n<h5>Performance Venues<\/h5>\n<ul>\n<li><strong>BOOTH THEATRE<\/strong> \u2022 A flexible-seating studio theatre at 820 Comm Ave. Opera, SOT productions, and community and University-wide events. Seating capacity is approximately 100-200.<\/li>\n<li><strong>Studio ONE<\/strong> \u2022 Black Box located at 855 Commonwealth Ave with flexible house seating with a variety of productions. Seating capacity is approximately 80.<\/li>\n<li><strong>STUDIOS ON 3 \u2022 <\/strong>Jewels 1 (352), Jewels 2 (356), Copeland Studio (354).\u00a0 All are Black Box spaces with a seating capacity of approximately 30.\u00a0 These shows are focused primarily on text, crafting performances, and bodies in relation to space.<\/li>\n<li><strong>ALTERNATIVE PERFORMANCE SPACES<\/strong> \u2022 Studio 102, Studio 109, Studio 808, plus any other alternate performance space other than above are all large dance\/rehearsal\/classroom spaces, which are also used for performances. Seating capacity is approximately 30+.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>We are thrilled to be performing live for you! See our Slate of Projects below, to entice, inspire, enthrall, and thrill you. Performed, designed and creatively produced by the artists of the School of Theatre each of these offerings will capture you from the first line to the last. Join me at the theatre. Sincerely, [&hellip;]<\/p>\n","protected":false},"author":6310,"featured_media":0,"parent":1663,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"bu-publication":[],"_links":{"self":[{"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/pages\/8267"}],"collection":[{"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/users\/6310"}],"replies":[{"embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/comments?post=8267"}],"version-history":[{"count":52,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/pages\/8267\/revisions"}],"predecessor-version":[{"id":105323,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/pages\/8267\/revisions\/105323"}],"up":[{"embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/pages\/1663"}],"wp:attachment":[{"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/media?parent=8267"}],"wp:term":[{"taxonomy":"bu-publication","embeddable":true,"href":"https:\/\/id-andrea.cms-devl.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-publication?post=8267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}